Die Leica-Camera-Gruppe in Solms wuchs in den Folgejahren und war erfolgreich. 1996 erfolgte der Börsengang. Mit der Digitalisierung der Fotografie setzte der Niedergang des Unternehmens ein.
Die aktuelle Geschichte der Leica Camera gebe es wahrscheinlich nicht ohne den Einstieg der Salzburger ACM Projektentwicklung GmbH unter Andreas Kaufmann im Jahr 2005. Auf der Suche nach Beteiligungen an deutschen Firmen war er eher zufällig in den Wetzlarer Raum geraten und auf die zu diesem Zeitpunkt von der Pleite bedrohten Leica Camera gestoßen. ACM erwarb die Aktienmehrheit und Kaufmann entdeckte sein Herzblut für die Marke Leica und den Mythos, der die Produkte mit dem roten Punkt weltweit umgibt. Er tilgte die Schulden des Unternehmens, investierte Millionen und brachte die Firma zurück auf die Erfolgsspur. Dabei bewies ACM langen Atem. Immerhin fielen in diese Phase der Anschlag auf das World Trade Center und die Finanzkrise. Unpopuläre Entscheidungen, etwa der Austausch der Geschäftsführung und entsprechende Schlagzeilen kennzeichneten diese Phase. Der fast verschlafene Einstieg von Leica Camera in die digitale Fotografie wurde durch den enormen Einsatz der gesamten Belegschaft kompensiert. Inzwischen bietet das Unternehmen wieder die Kameras, die höchste Profiqualität bieten und die Fotofreunde rund um die Globus das Leuchten in die Augen treibt.
Monday, April 30, 2012
VIDEO OF THE NEW LEICA HEADQUARTERS IN WETZLAR
You Tube has a short video clip showing the new Leica headquarters in Wetzlar in detail.
http://www.youtube.com/watch?feature=player_embedded&v=6RGaIY4J-x4#t=0s
LEICA LENS WANTED?
From L-Camera Blog:
Leica Deals Helps!
April 30, 2012 | von Andreas Jürgensen
Our Leica Deals Service now runs for six months – now we have improved the Leica lens search:
Most Leica lenses are in desperate demand: Leica has accelerated the production lines in the last months but the backorders and the high demand still yields peculiar results: Some dealer offer Leica lenses for more than the list price.We can’t change that – but we can offer an alternative: We have improved the Leica Deals search to track down every single lens!
Here is the full list:
- TRI-ELMAR-M f4/16-18-21 mm ASPH.
- SUMMICRON-M f2/28 mm ASPH.
- ELMARIT-M f2.8/28 mm ASPH.
- SUMMILUX-M f1.4/35mm ASPH.
- SUMMICRON-M f2/35 mm ASPH.
- SUMMARIT-M f2.5/35 mm
- NOCTILUX-M f0.95/50 mm ASPH.
- SUMMILUX-M f1.4/50 mm ASPH.
- SUMMICRON-M f2/50 mm
- SUMMARIT-M f2.5/50 mm
- APO-SUMMICRON-M f2/75 mm ASPH.
- SUMMARIT-M f2.5/75 mm
- APO-SUMMICRON-M f2/90 mm ASPH.
- SUMMARIT-M f2.5/90 mm
- APO-TELYT-M f3.4/135 mm
- MACRO-ELMAR-M f4/90 mm
Thursday, April 26, 2012
ERNST LEITZ 1 BIRTHDAY
Join us in celebrating the birthday of the incredible Dr. Ernst Leitz, who would have been 169 years old today! An entrepreneur and leader who had a great interest in microscopes, as well as passion for the natural world around him, founded Leica in Germany in 1869. Our heritage of precision optics started with him and continues to thrive today. Cheers!
DIE LEICA KOMMT HEIM
24.04.2012, 18:44 Uhr
Von Martin Lugauer
Von Martin Lugauer
Spatenstich: Im Leitz-Park entsteht die neue Firmenzentrale
Die Architekten des Frankfurter Büros Gruber + Kleine-Kraneburg haben ein modernes und dennoch zeitloses Gebäude entwickelt, das in seiner Architektir die Marke Leica wiederspiegelt. Dafür werden rund 55 Millionen Euros investiert.
Die Entscheidung, den 1988 bezogenen Standort Solms zu verlassen und an den Ort zurückzukehren, wo dank Männern wie Carl Kellner, Ernst Leitz I, Ernst Leitz II und Ernst Leitz III sowie Oskar Barnack die spannende und abwechslungsreiche Erfolgsgeschichte der Leica ihren Anfang nahm, sei von enormer Bedeutung. Dabei gehe es nicht nur um ökonomische Aspekte, so die Einschätzung von Günter Osterloh, ehemaliger Leiter der Leica-Akademie und intimer Kenner der Firmenhistorie, sondern auch um Psychologie. Für die weltweite Leica-Fangemeinde sei es enorm wichtig, dass Leica und Wetzlar mit dem für Ende 2013 geplanten Umzug wieder zur Einheit verschmelzen.
Es mag die zeitgemäße Fortsetzung der Aufnahmen und Filmsequenzen sein, die zumindest die älteren Wetzlarer und die Leitzianer kennen. Nämlich die Bilder in Schwarzweiß von Heerscharen von Arbeitnehmern, die zum Dienstschluss aus den Werkstoren strömen und die Innenstadt bevölkern.
Die Ur-Leica - sie revolutionierte in den 20er und 30er Jahren des vorigen Jahrhunderts die Fotografie und machte Wetzlar weltweit bekannt.
1988 zog Leica Camera in eine ehemalige Möbelfabrik in SolmsDass Leica vor fast 25 Jahren den Standort Wetzlar verlassen hat, hing zusammen mit der damaligen Firmenstruktur der Leitz-Werke. Damals arbeitete man erfolgreich mit der Wild Heerbrugg AG in der Schweiz zusammen. Das führte 1986 zur Zusammenführung der beiden Unternehmen zum Wild-Leitz-Konzern, an dessen Spitze die Brüder Thomas und Stefan Schmidheiny standen. Sie verantworteten zudem so unterschiedliche Unternehmen wie Brown Boveri, Eternit, viele Zementwerke und weitere Firmen.
Die Brüder wollten ihr Konglomerat neu ordnen. Im Zuge dieses Prozesses übernahm Stefan Schmidheiny die Verantwortung für den Wild-Leitz- Konzern.
In dieser Phase, so Osterloh, wurde der Leitz-Geschäftsbereich "Foto" (Kameras, Projektoren und Ferngläser) als Leica Camera GmbH verselbstständigt und 1988 in einer ehemaligen Möbelfabrik in Solms neu angesiedelt. Die Verselbstständigung des Fotobereichs war der Beginn einer großen Neustrukturierung des durch Zukäufe von feinmechanisch-optischen Firmen gewachsenen Wild-Leitz-Konzerns. Nach einer Fusion mit der Cambridge Instruments Company 1990 gab er sich den Namen "Leica". Gleiche und ähnliche Produktbereiche, die sich in den verschiedenen Unternehmen des Konzerns an unterschiedlichen Standorten befanden, wurden zusammengeführt und in selbstständige, voneinander unabhängige Unternehmen überführt. Osterloh: "So entstand aus den Bereichen ,Mikroskopie die Leica Microsystems GmbH mit Sitz in Wetzlar und aus den Bereich ,Geodäsie die Leica Geosystems AG in Heerbrugg."
Dr. Andreas Kaufmann
Kaufmann hat dieser Kraftakt, wie er selbst in einem Interview eingestand, ein Teil seines Haupthaares gekostet. Zugleich ist er zu einem profunden Kenner der facettenreichen Geschichte der Familie Leitz und zu einem Schwärmer über die Einzigartigkeit der Leica-Produkte geworden.
Der Spross einer traditionsreichen österreichisch-deutschen Industriellenfamilie, die mit einem Papierkonzern zu einem Vermögen gekommen ist, agierte für knapp ein Jahr selbst als Geschäftsführer der Leica Camera - und er wollte mehr.
Kaufmann: Visionäre sind die wahren Realisten
Mit Hilfe der ACM-Gesellschaft, die sich inzwischen mit dem Investor Blackstone verstärkt hat, sah er die Chance, durch den Leitz-Park die Stadt Wetzlar als international anerkannten Optik-Standort zu entwickeln. Dort wollte er die Firmen Viaoptik, Weller Feinwerktechnik und Leica Camera zu einem Cluster zusammenführen. Bei der Stadt und den zuständigen Gremien rannte er damit offene Türen ein. In Rekordzeit wurden die planerischen Voraussetzungen für das Projekt geschaffen. Auf dem ehemaligen Schanzenfeld der Kaserne "Spilburg", optimal angebunden an die 1,5 Kilometer entfernte A 45, fand sich das geeignete Grundstück. Schon zum Baubeginn des "Leitz-Parks" im November 2007 hatte Kaufmann sinngemäß gesagt: Visionäre sind die wahren Realisten.
Mit dem Spatenstich am Mittwoch wird seine Vorstellung von der Zukunft der Leica Camera noch greifbarer.
From www.mittelhessen.de
Wednesday, April 25, 2012
ARE TITLES FOR PICTURES A MUST?
Over the course of a year, we have numerous opportunities to enter our photographs into a huge variety of photography competitions. This includes Leica with the OSKAR BARNACK AWARD, for instance. Many of the published pictures do have titles and some competitions make titles mandatory. However, are titles really necessary?
In my opinion, this should be left to the photographer/artist. Just as it is our choice to take our photographs the way we see the world around us, it should be up to us if we want to give our photographs a title or not, and we certainly should not be penalized for not having a title when entering a photograph into a competition.
Demanding a title can on occasion lead to some rather curious results. I used to teach two professional photography courses at a private college here in Minneapolis. To give my students a broader evaluation of their work, I routinely invited various photography associations and photography clubs to hold their competition judgments at the school. In turn the students were allowed to enter the competions even if they were not members of the association or club.
One photography association that regularly came to the school was the local chapter of the PPA (Professional Photographers of America). They demanded that every photograph entered had to have a title, otherwise it would be rejected.
I, as well as most of my students were never too fond of the local PPA. It seemed that most of the photographs entered by their members were following the general ideas and tastes of the membership. The similarities were often such that the pictures could have all been taken by the same photographer.
I always challenged my students to use their own ideas and to come up with something different because it would make their photographs stand out from the crowd. I was often proven right with that approach because my students quite regularly walked away with the majority of winners, even though they competed against individuals that worked as experienced, professional photographers.
The absurdity of demanding titles was shown especially with one photograph. It showed a variety of different size artist paint brushes, one of which had the tip of the brush coated with red paint. Out of necessity, the student called it “A Dab of Red.” The judges were quite impressed. They gave it all kinds of accolades. In fact, they saw nothing that required critiquing or suggestions for corrections. A flawless photograph. Yet at the end, the photograph was denied a first place finish. The argument was that the title was incorrect. We were told that “A Dab of Red” was misleading since the metal sleeve of one brush next to it showed a reflection of the brush and the red dab of paint. Thus, they argued, there was more than one dab of red.
Frankly, to downgrade a photograph because the title is not quite right is about as myopic and pedantic as it can get. Such thinking relegates the photograph to second place status behind the title. It makes absolutely no sense. Nobody at the school agreed with that decision.
Subsequently, when the time came again for the PPA to visit us, we decided on a little payback. One of the students created a photograph of a campfire, showing a frying pan with a freshly caught fish in it. As a title we chose “Der Fisch in der Bratpfanne auf dem Lagerfeuer” (The fish in the frying pan on the campfire). When the photograph was shown it created quite a problem for the announcer to read the title. But there couldn’t possibly be any argument about the accuracy of it.
LEICA RETURNING TO WETZLAR
T - ONLINE in Germany is reporting that Leica Camera AG has started with the construction of their new headquarters at the Leica Park in Wetzlar.
Here is the report with translation:
Leica kehrt nach Wetzlar zurück
25.04.2012, 12:09 Uhr | dapd
Translation:
The optics company Leica started building their new headquarters in Wetzlar. After 25 years in middle Hesse in Solms, the company, founded in 1849, thus is returning to the place of its origin. "The return of Leica is not just a reminder of the past, but also a decision for the future", said Prime Minister Volker Bouffier (CDU) on Wednesday at the groundbreaking of the manufacturing plant for 650 coworkers. The brand has international standing and is the foundation for future success.
HUNTING WITH LEICA
Hunting with Leica in Germany, Sweden and Scotland
Three new videos show Leica products being used in typical hunting situations.
The ‘Hunting with Leica’ films show game being bagged in various hunting situations. The experienced hunters featured in the films use only Leica optical equipment.
Enjoy the films and good luck!
Video 1: Hunting in Germany
A perfect wild boar hunt.
The camera follows a wild boar over a long distance until it is finally taken with the perfect shot. Thanks to the perfection of Leica optics, hunters can easily make out the antlers of a royal stag. The bag at the end of the day was also shot with a Leica camera.
View the video |
Video 2: Hunting in Sweden
Breathtaking aerial shots show a herd of fallow deer from a spectacular vantage point.
Hunters bag some impressive trophies after hours of intense stalking in one of Sweden’s best hunting grounds.
The Leica hunting equipment includes a Geovid, an Ultravid, an Apo-Televid, as well as, an ER and Magnus riflescopes.
View the video |
Video 3: Hunting in Scotland
This slide show is a homage to hunting in Scotland.
All the photos were shot with a Leica M9 digital camera and perfectly reflect the glorious scenery, the game and the atmosphere of the hunt. Stalkers enjoy a successful hunt for red deer with binoculars and riflescopes from Leica.
View the video |
Tuesday, April 24, 2012
AN UNUSUAL CAMERA
When the Minox 35 EL was introduced several years ago, it quickly became a rather popular camera, primarily because of its small size. However, it had the disadvantage of having no manual operation other than manipulating the film speed settings. However, the camera could be converted to offer manual shutter speeds. The work was done by DAG, the custom repair shop of Don Goldberg in Wisconsin. Don is a service veteran with Minox and Leica. He has worked at the Minox factory in Giessen as well as at Leitz/Leica in Wetzlar. His excellent work has earned him a very good reputation among Minox and Leica owners alike.
Don explained that unfortunately, only the earlier Minox 35 EL cameras can be easily converted. He felt that the later models can be converted as well, but the different electronics in these cameras would make the cost significantly higher.
Apparently the early ELs shared much of their electronics with the Minox C, which did offer manual shutter speeds. Taking advantage of that heritage, it was possible to utilize the manual shutter speed circuitry of the Minox C in order to equip the EL with the shutter speed dial of the Minox C. With little modification, this can be substituted for the rewind crank of the EL.
Operation is very simple. The shutter speed dial must be set at the desired speed, and the aperture ring turned until the lightmeter needle points to the selected speed. Only 1/1000 sec. cannot be achieved, simply because the shutter of the EL is not capable of that high a speed.
In order to facilitate film rewinding, Don used the baseplat4 lock of a Leica M camera, which he installed in the bottom of the EL back, thus adding a bit of Leica to the Minox. Any other rewind would have worked as well, but he decided on the Leica part because of its easy availability at his shop. There was also the advantage of the rewind being almost flush with the camera base, thus avoiding an increase in size of this small camera.
Don Goldberg can be contacted at:
DAG Camera Repair Service
2128 Vintage Drive
Oregon WI 53575 USA
LEICA PREVENTS CATASTROPHE
Alfred Havlicek, a helicopter pilot in the Austrian army, uses a Leica for aerial photography. Some time ago he found that even exposures of 1/100 sec were blurred. Nevertheless, he did not lose faith in his Leica equipment.
His suspicion, which proved to be correct, was that unnoticeable vibrations of the helicopter had been responsible. On the basis of his photos, the experienced pilot insisted on an immediate inspection.
It was found that the main rotor head was damaged and would definitely have led to a crash before the next scheduled inspection.
The Leica photos therefore prevented a catastrophe.
Saturday, April 21, 2012
LEICA PHOTOGRAPHER CONSTANTINE MANOS
From Leica Camera.
Constantine Manos: Personal Documentary
Constantine Manos was born in 1934 in South Carolina to Greek immigrant parents. He went on to attend the University of South Carolina, from which he graduated in 1955. Joining Magnum Photos in 1963, he then became a full Member in 1965. This video, produced in partnership with Magnum, is a personal documentary of Manos’ wide-ranging subjects – from desegregation in the American South to life in Greece and his later work throughout America which he shot in color. One thing has remained constant throughout his career, it’s been Costa and his Leica rangefinder.
-Leica Internet Team
I had the pleasure of meeting Costa Manos several years ago. Not only is he a great photographer, he also proved to be a very interesting individual, very easy to talk to. Whenever I think of Manos, one piece of his work that continues to come to my mind is “Bostonians." In 1974, Manos was hired by the city to create the photographs for the "Where's Boston?" exhibition, a large production in honor of Boston's 200th anniversary. The photos from that exhibit were published in the book Bostonians: Photographs from Where's Boston? The show consisted of 4 x 6 foot (yes foot) enlargements, all shot on Kodak Tri-X, developed in a modified Agfa Rodinal developer. It is amazing how well his Leica negatives held up, both in terms of sharpness as well as tonal range, even with those size enlargements.
In 1995, American Color was published, containing Manos' recent photographs of American people. A Greek Portfolio was reissued in 1999, followed by a major exhibition of his work at the Benaki Museum of Athens. In 2003, Manos was awarded the Leica Medal of Excellence for his American Color photographs.
Manos continues to photograph with Leica cameras, and is currently working on material for a second American Color collection.
In 1995, American Color was published, containing Manos' recent photographs of American people. A Greek Portfolio was reissued in 1999, followed by a major exhibition of his work at the Benaki Museum of Athens. In 2003, Manos was awarded the Leica Medal of Excellence for his American Color photographs.
Manos continues to photograph with Leica cameras, and is currently working on material for a second American Color collection.
Constantine Manos
Thursday, April 19, 2012
MORE NEWS ON THE NEW LEICA MODELS
The Leica grapevine is working overtime today. More details are being reported about the Leica items that will be introduced May 10 in Berlin.
It is thought that the new Leica Monochrome Rangefinder camera will be all black with no red dot or other markings on the front of the camera. Similar to the M9-P, there will be a Leica Monochrome engraving on the top plate.
The new Leica X2 is supposed to come with a new 18 megapixel sensor. Nothing, so far, has been mentioned about other new features or about what lens the camera will have.
Stay truned…
NEW LEICA PHOTOGRAPHY BOOK
Over the years, many books have been published that contain photographs taken exclusively with Leica equipment. A newcomer to this is the book
MINNESOTA NOTABLES
People and Faces of a State
The introduction mentions, while images of nature, wildlife and local architecture are abundant in photography books throughout Minnesota bookstores, missing from their shelves are books which capture Minnesota’s greatest resource – her people. The introduction goes on to say:
“Photographers Heinz Richter and John Palumbo have undertaken the task to feature environmental portraits of people who have impacted our state in some way. They chose to highlight Minnesota men and women from all walks of life, including business, education, politics, community service, the arts, athletics and more. The Minnesota “notables” featured in the book are from all over the state, both metro and rural Minnesota, and will represent the rich cultural diversity of our state…”
For quality reasons it was initially planned to take the photographs with medium format equipment. However, it was also important to be as spontaneous and quick as possible with the cameras. Subsequently it was decided to shoot everything with Leica equipment. While photographing several of Minnesota’s “notables,” only five minutes were given for the shoot. The 35mm Leica equipment proved to be especially advantageous under those circumstances. In addition to the 35mm Leica cameras, some of the latest images were taken with digital Leica equipment.
When lighting permitted, Agfapan APX 25 was used for its incredibly fine grain, sharpness and tonal range. In a few instances where a higher film speed was necessary, Agfapan APX 100 was used. All other photographs were taken on Ilford XP-2 Super film because of its usable range from ISO 100 to ISO 800 and its exceptionally fine grain and tonal range.
CAMERAS
Leica R4
Leica M6
Leica Digilux 2
LENSES
28mm f/2.8 Leica Elmarit R
50mm f/2 Leica Summicron R
135mm f/2.8 Leica Elmarit R
250mm f/4 Leica Telyt R
35mm f/2 Leica Summicron M
50mm f/2 Leica Summicron M
90mm f/2.8 Leica Tele Elmarit M (on loan from Leica Camera, Inc.)
135mm f/2.8 Leica Elmarit M
200 mm f/4.5 Leica Telyt
7 – 22.5mm (28 – 90mm equiv.) f/2 -2.4 Leica Vario Summicron
Sponsors for the book included:
Agfa, Digi Graphics/Photos Inc., Ilford, Leica Camera, and National Camera Exchange.
Following are some images from the book.
Rocco Altobelli
Owner of the Altobelli Salons and Spas
Reggi Anderson
Artist, former receptionist at the Minneapolis Institute of Arts
Ann Bancroft
Teacher, Polar Explorer
Homer and Larry Everson
Blacksmiths, Hawick
Cindy Hillger, Don Shelby
WCCO TV
Garrison Keillor
Author, Creator of "A Prairie Home Companion"
Walter F. Mondale and wife Joan
Former Vice President, Minnesota Senator, Aambassador to Japan
Don Stolz
Owner and Operator of the Old Log Theater
Tecco
Former Principal Violinist of the St. Paul Chamber Orchestra
"Tiger Jack" Rosenblum
Neighborhood Personality
Wally The Beer Man
Vendor at the HHH Metrodome and Midway Stadium
Paul Wellstone
Former Minnesota Senator
The book contains 126 photographs of 44 individuals. It is available for $39.95 from
FOTOgraphicART
307 7th Avenue North
Minneapolis, MN 55343
NEW LEICA MODELS TO BE ANNOUNCED
With May 10 and the announced Leica event in Berlin getting closer, the Leica grapevine is beginning to work overtime. As I mentioned already, a black and white only version of the M9 seems to be on the menu. According to that grapevine, we should also see a new Leica X2. The X1 appears to be discontinued. It isn’t even listed in the Leica catalog any longer and a replacement has been anticipated for a while already. Information about what changes the X2 will offer over its predecessor X1 are still sparse, but it appears that the X2 will maintain a fixed lens. Could a zoom lens be in the offering? There is also talk about a possible new 50mm Summicron. Finally, as much as the May 10 date is pointing towards a Leica M10, that apparently will have to wait until Photokina this fall. A new camera in the Leica line up will be a mirrorless system camera with interchangeable lenses. That too apparently will be announced at Photokina.
Wednesday, April 18, 2012
LEICA THEN AND NOW
Below is a picture accompanying an article in Canadian Business Magazine which shows a Leica M9. It was shown on the Leica site on Facebook IN THE ALBUM "Media coverage."
It is very remindful of some of the Leica ads from the 30s in terms of style an appearance. Leica printed a series of these ads, reproduced as postcards.
Tuesday, April 17, 2012
MONOCHROME LEICA CAMERA
Rumors about a monochrome, black and white sensor only, Leica rangefinder camera are abundant on the internet. It appears that one of the new items at the Leica event in Berlin on May 10 will be such a camera, expected as an M9 style body. However, as I mentioned in the past, this will not be the long awaited M10. That is not expected before the Photokina this fall in Cologne. The new monochrome camera is said to have a very clean, noise free high ISO capabilities. As a special model in the Leica line up, it makes sense. The superiority of black and white sensors compared to full color ones is well known. It is also a known fact that many photographers prefer to work mainly in black and white. If that is enough to convince anyone to add another body to their line up of Leica cameras needs to be seen.
Unfortunately little else is being said about what else Leica is going to introduce on May 10. Being that this is a Photokina year, it makes sense assume that Leica will introduce the “heavy hitters” there instead of Berlin on May 10.
We will know more in just a few weeks.
LEICA HELPS DISCOVER CRYSTAL CAVE
Many Leica owners consider a trip to Solms, the Leica Mecca, a worthwhile undertaking. Less than 50 miles from Frankfurt, it is easy to get to. The guided tours of the Leica plant are very informative and offer a close look at how these cameras and lenses are made. Another highlight of visiting Leica is the Leica museum in the main lobby.
About 10 miles from Solms is Weilburg. A side trip to Weilburg is definitely worth consideration. It is the location of the topic of this post. I recommend using a route that goes through Braunfels, only a bit more than 2 miles from Solms. There you’ll have the opportunity to visit Burg Braunfels (Braunfels Castle) which dates back to 1246.
Burg Braunfels
A part of Weilburg is called Kubach, place of the Kubacher Kristallhöhle (Kubach Crystal Cave). The Kristallhöhle is a relatively new discovery. The story goes that in 1881 miners looking for phosphorite stumbled by chance on an underground cave full of stalactites and stalagmites that was so big, apparently the local church was said to have fitted in it. But since this was not the mineral they were looking for, the entrance was filled in and the cave’s location forgotten.
However, not only did the miners tell other local people and even the press about the cave, they allegedly brought some of the stalactites back to the surface that are now in a local museum.
Over the years the story was passed on about the cave, until in 1973 holes were bored in the area that it was believed to be located in. While those boreholes did not find the cave being sought after, it did find one with rare crystals on the wall.
A container, small enough to fit the borehole, had been equipped with a camera and flash to take photographs of the newly discovered cave. That camera was a Leica. It is now on display, hanging from a line right below the borehole.
Container holding the Leica
In the years that followed a pathway down to the cave was excavated and since 1981 visitors have been able to take tours around it. At the deepest point the floor of the cave is 78m (256 feet) below ground, and this part of the cave is 30m (98.5 feet) high – the highest cave that is open to the public in Germany.
The tour takes about 45 minutes and afterwards visitors can also go in the museum above ground, which shows more about how the cave was discovered but also about the mining that used to take place in the area.
In front of the entrance a number of larger stones form a mineral museum, with many of the stones coming from the local area.
Going down into the cave is an exciting experience, but it is not possible for everyone. Warning signs at the entrance list a range of medical conditions which are prohibitive to making the descent. These include anyone who has had a heart attack, suffers from angina pectoris, or is taking nitrous-based medication. Sturdy shoes are also recommended for the 347 steps down to the cave’s entrance.
From personal experience, I know that it is not so much going down into the cave, but coming up again. But I found it worthwhile, for the cave itself and because it offers the opportunity to see a little known item of Leica history.
The cave’s website is http://www.kubacherkristallhoehle.de/.
Monday, April 16, 2012
OTHER EXCLUSIVELY LEICA STORES
SINGLE BRAND SPECIALISTS
Leica has been busy opening their exclusive Leica stores all over the world. It is a successful concept that is serving them well. But as new as this concept might appear, it has been done before.
In 1979, Photo Visuals of Minneapolis was the first camera store in the US to sell exclusively Leica equipment. Initially the business was planned as a photography studio. Prior to that, the owners worked at a store that sold more Leica equipment than any other in the area. The Leica representative at the time called them, saying that he could not afford to lose their expertise and customer base. Leicas had always been a favorite of the two owners and with the help of Leica, at that time in Rockleigh, New Jersey, they placed an opening order to obtain a Leica franchise. Once the order arrived, thoughts turned to how best to promote it. That’s when the thought came up to promote it as the first exclusively Leica dealer in the country. The concept took off beyond expectations and the studio aspect of the business was soon left behind.
Photo Visuals 1980
The concept apparently had a lot of appeal and soon Alvin’s Photo Supply of Pasadena opened California’s First Exclusively Leica store. They were followed by The Darkroom “Leica and Leica only” in San Francisco.
But this is not only found in the US. Germany too has dealers that sell just one brand exclusively. The German magazine FOTOwirtschaft recently published an article by Klaus Jendrissek with the title LUXUS PROBLEME (Luxury problems) about one of the largest Leica dealers in the country. That too is an exclusively Leica store. He wrote:
The Bilderfürst (picture prince) - camera merchant Jan Dittmar from Fürth - has definite problems. He has a waiting list for photography equipment and many items sell beyond their manufacturer suggested retail price.
For a Leica 50mm f/0.95 customers gladly pay 8,000 euros ($10.500) if it is available. If not, Jan Dittmer will put their name on a waiting list. When new deliveries arrive, the customers will be notified. Customers often wait two years for some Leica products, and they understand. These cameras and lenses are being made by hand with great care and that takes time.
Dittmar doesn’t need to explain, as a well-known Leica specialist he has the complete confidence of the Leica community.
“You have to make a decision,” he explains. “Either you offer a selection of different makes. That means you tie up a lot of capital in your wares. Then you need at least a representative number of Canons and Nikons, possibly also a few Olympus items and one or two Sony products. At that point it gets a bit tight for what else the market has to offer. Or you put all your eggs in one basket and specialize.”
That means, if done right, extreme specialization can even be successful at places where you might not expect it. Jan Dittmar is concentrating totally on Leica. In his store of 450 square feet you will only find Leicas and nothing else.
The business concept is relatively simple from one point of view but also difficult from another one. With such approaches retail prices are not everything. Most of those who enter the store know that Leicas are often sold at fixed prices.
That is the unproblematic part of the concept which is followed at Dittmar’s Leica Boutique. The difficulty on the other hand is to be able to obtain certain pieces of equipment. It’s not that Leica doesn’t care, but with their production methods they currently aren’t able to do more. Dittmar’s customers can see that for themselves. Several times a year the Leica man offers invitations for trips/workshops to the Leica factory in Solms. There they can experience for two days that real specialists are needed to create the optical-mechanical marvels, and people with that kind of experience and such golden hands are rare. The consequence: the customers will be able to look forward to their orders for longer than they had hoped.
Service and care of the past are part of such a single-brand-boutique as well. Because the optics from the 70s also fit the digital Leicas of today, they are much sought after. A used Summilux 80mm f/1.4, which sat on a shelf for 900 euros ($1,185) a while ago, now fetches 4,000 euros ($5,280). Leica is also updating the analog lenses for use on digital Leica equipment. For 160 euros ($210) yesterday’s lenses become lenses that can also be “understood” by the digital Leicas. Thus the used lenses are being offered a new life and increasing prices.
Customers are coming to Fürth from far away. Since Dittmar always goes by “purchase if something is available, to have it when asked for” he is able to accommodate more customers wishes, even very unusual ones, than his I-have-Leicas-also colleagues.
His store is known all over Europe and even further. The Japanese, some of the greatest admirers of original Leica technology, order from Dittmar or they come personally for a visit. The Leica specialist is also delivering Leica lenses to Canon film crews. Attached to Canon cameras with an adapter, they deliver amazingly good results.
Right now the photo business is a lot more fun than in years past. Because of floods and other natural disasters equipment is often in short supply. Therefore customers are more accepting of the prices than in the past. Many a merchant has seen with disbelief that several items sold for above the manufacturer suggested retail price and that without customer complaints. When has that ever happened the years past?
(Translated by Heinz Richter)
Taking the above into consideration, Leica came to the game relatively late. But they are following a successful concept and their success as well as the successes of other exclusively Leica stores prove them right.
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