Saturday, November 26, 2016

DAGUERREOTYPE ACHROMAT 64mm f/2.9 ART LENS FOR LEICA






One of the major reasons for using Leica cameras are the Leica lenses.  They offer performance level unsurpassed by any other manufacturer.  In view of that it makes little sense to own a Leica camera and equip it with lenses from other manufacturers.  Yet every once in a while we come across a lens other than from Leica that is definitely of interest.

One such lens is the Daguerreotype  Achromat 64mm f/2.9 Art lens from Lomography.  This lens was directly inspired by the world’s first photographic optic lens – a 19th century invention created by Charles Chevalier for the Daguerreotype camera.   It was the direct result of photographers asking for faster lenses than were available at that time to allow portrait photography with reasonably short exposure times.

The original Daguerreotype Chevalier lens (left) and the new version

Almost two centuries later Lomography reworked it as a powerful tool for modern-day photographers.  Designed and handcrafted in a small manufactory, the Achromat lens has been reinvented for use with modern-day digital and analogue cameras.  The lens is available in a sleek brass or black finish.  Currently it is only available in Canon, Nikon and Pentax K mounts, but adapters from Leica and other manufacturers allow the use on Leica cameras as well.

Due to its design,  the lens allows to alternate between razor-sharp images, or draping the world in silky soft focus. The lens comes supplied with a variety of Waterhouse stops which allow to alter the depth of field in a whole new way with endless bokeh effects – which blend together colors, shapes and textures for creative expression.

Three sets of Waterhouse stops are supplied with the lens

These special effects are created by inserting Waterhouse Aperture plates into a slot in the lens, positioning the plate in front of the lens elements. Three sets of plates are available, Standard, Lumière, and Aquarelle. The latter two sets, Lumière and Aquarelle, were created by Lomography for this particular lens to create different effects in out-of-focus highlights.

TECHNICAL INFORMATION:
  • Focal Length: 64mm
  • Maximum Aperture: f/2.9
  • Apertures: Waterhouse aperture set, up to f/16
  • Closest Focusing Distance: 0,5m
  • Focusing Mechanism: helicoid
  • Image circle: 44mm
  • Field of view: 37 degrees
  • Filter Thread: 40.5mm
  • Construction: 2 elements in 1 group

SAMPLE IMAGES: 






For more information go to Lomography


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Friday, November 25, 2016

LEICA PRICES – A COST COMPARISON WITH THE COMPETITION AND OTHER COUNTRIES







The one thing Leica is most often criticized for is the cost of their cameras.  Subsequently a lot of photographers chose other makes of cameras because they are so much less expensive.  A lot of them are, without doubt, but let’s take a look at the top models from other manufacturers.  After all, you have to go to the very best to find something that comes at least close to a Leica in terms of performance.

Here is a list of cameras both medium format and full frame, camera body only, from the same major camera dealer in descending order, based on price

1          Hasselblad H5D-200c Multi-Shot Medium Format DSLR   $45,000

2          Mamiya 645DF with Leaf Credo Series 80 digital back   $28,495

3          Leica S (Type 007)   $16,900

4          Leica S-E Medium Format DSLR Camera (Typ 006)   $10,995.00

5          Leica M-P   $8,791.20

6          Canon 1D C   $7,999
      
7          Leica SL and Leica M Monochrome   $7,450.00

8          Pentax 645Z   $6,996.95

9          Nikon D3x   $6,999

10        Leica M 240   $6,500

11        Nikon D4S DSLR Camera   $5,996.910 

12        Leica M-E   $4,790.00

That makes Leica look quite attractive.  But what about lenses, one might ask?  Without doubt, Leica lenses are among the most expensive on the market.  But they also present the best performing line of lenses on the market.  One reason is the way they are made.  The bench made process, employed by Leica, allows for the implementation of much tighter tolerances which is needed to achieve absolute top performance.  This method of production does not allow for any mass production procedures, all of which is expensive, but it also assures an unsurpassed level of quality.

In comparison, not all competitor lenses are of equal performance.  Most other companies make so called kit lenses which are meant to keep the prices of their camera-lens combinations rather low.  These lenses generally are of a rather poor performance and should not be used for any price comparisons.  Instead, take a competitor lens that is made to much higher quality standards.  Even then you still have a mass produced item with the shortcomings associated with mass production.  Then, if you go beyond that and take a lens that is sold in only relatively low quantities, with other words, a lens that is similar in production numbers to Leica lenses and the cost suddenly rises to similar levels.  For instance, take the Nikon AF-S NIKKOR 800mm f/5.6E FL ED VR Lens, and you are looking at $17,997.

Nikon AF-S NIKKOR 800mm f/5.6E FL ED VR

But one does not have to go to such extremes.  When it comes to performance, one manufacturer outside of Leica has definitely a very good reputation of their own, the company of Zeiss.  Their 55mm f/1.4 Otus Distagon T* lens sells for $3,990.  In comparison, the Leica 50mm f/1.4 Summilux ASPH has a price of 3,745.

Recent articles on this blog showed some of the advantages of the Leica digital sensors.  Taken any of the Leica cameras equipped with those sensors, combined with a Leica lens, and you have a camera with unsurpassed performance with, what turns out to be a competitive price as well.

LEICA PRICES IN OTHER COUNTRIES

In today's global market place, buying cameras in different countries is not difficult at all.

Have you ever wondered what Leicas are selling for in other countries?  It is no secret that prices do vary considerably depending what continent or what country you are in.  I have often compared prices with my sister who lives in Germany and we have come to the conclusion that Leica prices in Germany are roughly the same numerically in euros or dollars.  Considering the exchange rate between the two currencies, that makes Leica equipment definitely more expensive in Germany than in the US.

This is by no means a very scientific comparison, but it does display a certain trend.  To make comparisons between a large number of countries is almost impossible, for a variety of reasons.  The currency exchange rates often differ from one day to the next.  Prices will also vary from dealer to dealer and among cities or areas within a country.

A while ago I got help from a reader of this blog.  Torben Chrona Christiansen publishes the LEICA INDEX (www.leicaindex.com).  He did a tremendous amount of research on this topic.  As he explained, it was virtually impossible to include all countries, nor does he consider his results totally accurate because of the problems associated with this.  He decided to compare prices of the Leica X2 in 21 different countries and after researching the prices in those countries, he decided to publish the prices based on one particular day, November 21, 2014 and the prevailing exchange rates for that particular day.  Since these countries do have currencies of their own, he also decided to use the US dollar as the currency for the comparison.


Here are his results from the least expensive to the most expensive country.

1   Indonesia: $1624
2   United States: $1629
3   Malaysia: $1662
4   Sweden: $1689
5   Hong Kong: $1701
6   Canada: $1727
7   Australia: $1730
8   Japan: $1796
9   United Kingdom: $1884
10 Italy: $1912
11 Spain: $1981
12 Croatia: $2000
13 Netherlands: $2107
14 France: $2170
15 Germany: $2170
16 Denmark: $2294
17 Russia: $2310
18 Taiwan: $2368
19 China: $2384
20 South Africa: $2548
21 Brazil: $2788

That makes for a difference of $1164 between the lowest and the highest country, a surprisingly large amount.  It seems to be an easy decision to buy Leica equipment in a country with the lowest prices.  But there is more to consider.  You will need to examine the warranties and how they compare, if they are even valid in your country.  There will also be some extra cost attached to buying in another country, where the main extra costs are tax and shipment. This can in some cases be a very big factor.

You might pay a higher price if you buy locally, but if something goes wrong, you have your dealer service to rely on, and, if you are like me, once I have made the decision to get a new piece of Leica equipment, I want to get my hands on it right away.  Buying locally eliminates the waiting period for the camera to arrive.  Much to consider.


My thanks to Torben Chrona Christiansen for giving me permission to use his data for this article.

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Wednesday, November 23, 2016

ALTERNATIVE LENSES FOR LEICA CAMERAS




 
Leica M with Canon Lens

Purchasing a lens for a Leica used to be a very straight forward preposition; if you needed another lens, you would generally have to buy another Leica lens.  There were only few exceptions, and only for the Leica rangefinder cameras where some Leica screw mount lenses were also available from several German manufacturers and Nikon, Canon and a few other Japanese made lenses as well as some Russian made lenses for the Kiev and Zorki cameras.  No such choices existed for the Leica R reflex cameras.

 
Leica M9 with Canon 50mm f/0.95

That didn’t change until a few T-4 mounts appeared in the Leica R mount from Soligor and Vivitar and a bit later from Tamron with their interchangeable camera mount Adaptall lenses.  Most of those all but disappeared from the market, initially because sales of those mounts were too low to justify further manufacture and later, when interchangeable camera mount lenses were no longer manufactured.  Today aftermarket lens manufacturers concentrate on the main camera manufacturers like Nikon and Canon.  However, adapters to allow the use of other manufacturers lenses on the Leica R cameras are available from Leica, Novoflex and several other manufacturers.

 
Leica SL with 35mm f/1.4 Summilux C cine lens

With the introduction of the Leica SL, Leica introduced a number of adapters which allow the use of virtually any Leica lens ever made.  This makes the Leica SL the long awaited camera for owners of the Leica R line of lenses.  In addition, adapters from companies like Novoflex offer the possibility to use lenses from other lens manufacturers on the Leica SL also, making it one of the most versatile professional caliber cameras on the market today.

The Leica M is another alternative for the R lenses, and since several manufacturers, including Novoflex, are making adapters to use lenses from other manufacturers on a variety of cameras, it is possible to use these lenses also on the Leica M.  That offers a huge choice of different lenses never before available for the Leica until the introduction of the Leica SL

 
Leica M9 with Nikon fish eye lens

 
Leica M9 with Nikon PC perspective control lens

But does it make sense to equip a Leica with a lens from another manufacturer?  After all, one of the main reasons for owning a Leica is the quality and performance of their lenses.  I basically agree with that, however, I can also see that in some instances a lens from another manufacturer might be a valid choice, especially if we enter cost into the equation.  For instance, Besides the Leica 14-50 f/2.8-3.5 Vario Elmarit on my Leica Digilux 3, I also use a 55mm f/3.5 and a 105mm f/4 Micro Nikkor made by Nikon as well as a 200mm f/3.8 and a 400mm f/5.6 Noflexar made by Novoflex on that camera.  Especially the two Novoflex lenses have proven to be very much equal to their Leica counterparts as have the two Nikon lenses shown to be excellent performing lenses.

 
Leica Digilux 3 with Nikon 105mm f/4 Micro Nikkor

 
Leica Digilux 3 with 200mm f/3.8 Novoflex Noflexar

 
Leica Digilux 3 with 400mm f/5.6 Novoflex Noflexar

This brings up the question, which of these lenses do make sense to put on a Leica camera, especially the Leica M?  Price should definitely part of this consideration.  While some large manufacturers can offer high quality lenses at lower prices, simply because of their high sales volume, nobody is able to perform any miracles.  If the price is too good to be true, it is a safe assumption that this price is the result of considerable cost cutting measures.

A manufacturer has quite a number of means to arrive at lower manufacturing costs.  Aspherical lens elements are a good example.  The most costly approach to making such lens elements is to grind them from a lens blank.  While this is quite expensive, it also renders the best quality lens elements to assure the highest possible performance.  Another approach which, for instance, is used by Nikon is to make high precision molds and then mold the softened glass into its final, aspherical shape.  This method definitely lends itself to larger quantity, mass production.  The least expensive approach to aspherical element production, as used by many of the aftermarket manufacturers, is to make a standard, spherical element and then add a thin, aspherical surface section made of acrylic to it.  These acrylic add-ons are also molded.  This saves a lot of cost, but it also is a considerable compromise.  This process was initially developed by Zeiss in Germany.  It was, however, rejected because it could not assure the performance parameters set by Zeiss for their lenses.  The reason is that acrylics consist of rather large molecules.  Due to their size, they actually scatter the light when it transmits which adversely affects the performance of the lens.  With other words, not all aspherical elements are created equal.  There are a huge number of other cost saving measures that are being used, all of which ultimately lower the overall performance potential of the lens.

Testing of Leica aspherical lens element  Photo: Marlies Amling

I came across two of the worst examples of this a while ago when I was still dabbling in repairing cameras and lenses for my own use.  I was asked to look at an aftermarket lens made by a well-known manufacturer.  The lens did not focus to infinity, even though there were no outward signs of abuse or that otherwise anything was wrong.  I had no choice than to partially disassemble the lens.  Since not all SLR and DSLR cameras have the same lens to film plane distance, this has to be taken into consideration when making an aftermarket lens.  Rather than making the lens specifically with the appropriate measurements, a general lens to film plane distance is used.  Then the rear of the lens has a threaded section which allows the lens to film plane distance to be changed to accommodate different cameras.  After adjusting the lens via this threaded section to assure proper infinity focus, these threads then have to be locked in place.  This is usually done with some set screws.  However, this manufacturer apparently decided that additional costs could be saved by eliminating the set screws and to use a piece of tape instead.  I am not exaggerating; they used a thick piece of tape around the entire threaded infinity adjustment.  The problem with the lens was that the tape had partially lost contact which had allowed the adjustment to change.

A while later I had a similar problem with a video zoom lens from the same maker.  This was by no means a cheap lens, it sold for almost $2,100.  Video lenses routinely come with an infinity adjustment to accommodate different video and motion picture cameras.  Remembering the problem with the other lens, I quickly concentrated on the infinity adjustment of this lens.  My suspicion was confirmed.  Even this relatively expensive lens used a piece of tape to “secure” proper infinity focus.

I am not saying that all aftermarket lenses are made with such extreme cost saving measures, what I am saying is ‘buyers beware’!  The low price has to be arrived at by some means.

My general advice is to equip your cameras with lenses made by the camera manufacturer.  That way there is the general assurance of the best possible performance.  With other words, put Leica lenses on a Leica to get the most out of your investment.

 
Leica M with Leica Vario-Elmarit-R 28-90mm f/2.8-4.5

 
Leica M with Elmarit-R 70-180mm f/2.8

But there are valid alternatives for the Leica.  Some of the older Nikon and Canon screw mount lenses are still performing quite well, but just as the older Leica screw mount lenses, they don’t measure up to the current line of Leica lenses.

More modern alternatives are offered by Voigtländer and Zeiss.  Their M mount lenses have proven to be excellent performers, relatively close to their Leica equivalents and considering their cost advantage, they do present a valid alternative.  Other choices exist from Minolta, the older Leitz-Minolta CL lenses, from Konika, Rollei-Cosina and SLR Magic.

 
Leica M2 with Voigtländer 75mm f/1.8

 
Leica M3 with Voigtländer Heliar12mm f/5.6

On the Leica R side, adapters allow the use of Canon, Nikon and a great variety of other lenses.  These would need to be adapted to the Leica R mount which then allows their use on the Leica M with the Leica R adapter or with a direct four thirds adapter on the Leica Digilaux 3.


Leica is not at all anymore as isolated as they used to be in the past.  Some of their camera offers a huge selection of lenses from various manufacturers, and some of them are very good choices indeed.


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