Sunday, September 15, 2024

ONE OF THE BEST LEICA LENSES EVER MADE


THE LEICA 180mm F/3.4 APO-TELYT-R


By Heinz Richter

Newer and more advanced production methods have resulted in a relatively large number of lenses with aspherical elements.  This has led to considerable advances in lens performance. The 50mm F/2 Apo Summicron ASPH is such a lens.  It approaches the limits of what is physically possible.  Performance wise, this lens is unsurpassed.

However, that isn’t to say that some of the older Leica lenses are suddenly outdated and undesirable.  As a matter of fact, we can go back almost 40 years and still find a lens that is possibly equal in performance to the current 50mm Summicron.

This lens is the 180mm f/3.4 Apo-Telyt-R.  It reached the market in 1975.  At that time it was no longer a secret that Leica had developed the lens for the US Navy as part of a high resolution 35mm camera system.

The system used Leicaflex SL2 cameras, the standard 35mm Summicron-R, a 75mm f/2 Elcan-R, a 180mm f/3.4 Elcan-R (later reincarnated as the Apo-Telyt-R), and a 450mm f/5.6 Elcan-R.  This system was used by the US Navy starting in the early 1970s.

 
Leica 180mm f/3.4 Apo-Telyt-R

One of the problems of lens design is accurate color correction and the Navy presented Leica with the problems of developing lenses that could focus more than just the visible spectrum accurately.

Even today, most of the photographic lenses have what is referred to as “primary color correction,” where only part of the visible spectrum is focused at any time.

The solution to the problem lay in the development of glasses with what are considered “anomalous” properties; the combination of high refracting indexes with low dispersion.

Such properties are found in artificially grown crystals; an example is the calcium fluoride elements made famous in the Canon FL series telephoto lenses.

But such crystals have a very large temperature coefficient, and elements made from them are both brittle and extremely soft.  The temperature related expansion of calcium fluoride elements is so great that most lenses made with them are subject to changes in focal length with temperature changes, and therefore have no proper infinity stop or distance markings.

The softness of the material also leads to design constraints.  For instance, the Canon 300mm FL lens has a thin, conventional glass element in front of the “front” calcium fluoride element, primarily for protective purposes.

Not an ideal situation.  Lenses made of these crystal elements demand extreme care to assure proper performance, and the military considered them incompatible with the kind of treatment they were likely to receive.

The glass research lab in Wetzlar set out to develop a glass that had the optical properties of crystals like calcium fluoride, but without the negative side effects.  They did indeed develop such a glass, today commonly referred to as “apo glass.”  It was/is used in a variety of Leica lenses, including the Apo-Telyt, the 800mm Telyt-R, and the Noctilux 50mm f/1.  Their designer, Dr. Walter Mandler, was the man whose genius brought us those lenses, but also the 35mm Summilux, and close to fifty other lenses for Leica cameras, in addition to lenses for RCA television cameras, IMAX projectors, and Picker X-ray equipment.

 

How good are the Elcan lenses, specifically the Apo Telyt 180mm f/3.4?  While most photographic lenses have a color correction from 400 to a maximum of 700 nanometers, the Leitz apo glass allows correction up to 900 nanometers.  In simple terms, this means that all colors of the visible spectrum and infrared are focused in a single plane.

The Apo-Telyt proved to be the best lens of the set, making it one of the very few lenses for 35mm cameras that do not require refocusing when used with infrared films or sensors.  For instance, when used with an adapter and with an infrared filter on the Leica M240, M10 and M11 series cameras, the lens can be focused normally and does not require any refocusing to compensate for the infrared focus shift. 

The US Navy conducted comparison tests with the 180mm f/2.8 Elmarit-R.  These demonstrate the effects of the apochromatic correction of the Apo-Telyt.  Both lenses were tested at f/3.4 with blue, yellow-green, red and infrared light.  The maximum focus shift of the Apo-Telyt was +/- 0.045mm.  The shift of the 180mm f/2.8 Elmarit-R (at f/3.40 was +/- 0.25mm.

In practical applications, such correction translated into fantastic sharpness.  Increased resolution is readily apparent, made possible by greatly increased contrast capabilities.

The Navy test showed that the Kodak 5069 film, developed in H&W 4.5 developer consistently achieved resolution figures of 600 lines per millimeter.  To make enlargements with this kind of detail required a specially modified Leitz Focomat II enlarger and lenses.

It is safe to say that regardless of manufacturer, the Leitz Apo-Telyt-R 180mm f/3.4 is still one of the very best lenses ever made for 35mm and digital photography.

This article has a lot more information on the Apo-Telyt and the tests conducted by the US Navy.


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Saturday, September 14, 2024

WHAT’S IN MY CAMERA BAG AND WHY




By Heinz Richter

A while ago I published a brief article showing what Leica equipment I own and use.  I constantly get asked what camera and lenses I have and why I chose them.  So I decided to be more specific. Please keep in mind this is not meant to influence anyone to invest in certain equipment, it is simply an explanation of what I own and why.

My first digital Leica was a Leica Digilux 2.  I bought it because it had a performance level at that time that was able to do a lot of the work that previously I had done with film.  Of course things have progressed substantially and I now shoot with a Leica M240.

I am fully aware of the advantages of the Leica M10 and M11, but they are not at a level of importance to cause me to change.  The M240 is serving me well and will do so for some time to come.

For instance, the larger size of the M240 does not bother me at all.  As a matter of fact, for some time in the past I used a Zeiss Contarex.  The M240 is rather diminutive in comparison.

At times the higher ISO capabilities of the M10/m11 would be nice to have, but I hardly ever use or publish any photographs that have not been improved by post processing.  That includes the higher noise levels of the M240 at high ISO settings.  Subsequently, the higher ISO capabilities of the M10M11 are not overly important to me.  The M10 or M11 don’t offer enough of an advantage for me to warrant the expense of switching.


The obvious advantage of a camera with interchangeable lenses lies in the fact that, based on the work one does, it is possible to choose a lens that's best for the job at hand.  In general, that includes the so-called normal lenses which give a field of view closest to the human eye.  For full frame (as well as 35mm cameras) that is the 50mm focal length.  From there, anything with a shorter focal length is considered a wide angle lens and anything longer is a telephoto lens.

The core of my lenses are a 28mm f/2.8 Elmarit, a 50mm f/2 Summicron and a 90mm f/2.8 Elmarit.  They are excellent performers and have not given me any cause to change them.  Would it be nice to have faster versions of these lenses?  From time to time yes!  The extra depth of field control and bokeh of a 90mm f/2 or 50mm f/1.4 would come in handy from time to time, even more so with the the 50mm f/.95 Noctilux.  But not to the extend to cover the extra cost.

Leica Elmarit 28mm f/2.8, ISO 1000, f/11, 1/90 sec handheld

Extreme crop from the original file

Leica Elmarit 28mm f/2.8, ISO 400, 1/45 sec, f/11

Leica Summicron 50mm f/2, ISO 640, 1/1500 sec, f/11

Leica Summicron 50mm f/2, ISO 2000, 1/30 sec, f/2

Cropped image of the same file

I mentioned already that the limited high ISO capabilities of the M240, when compared to the M10 and the M11 must be considered a handicap. However, with noise reduction it is possible to use the M240 with ISO 4000 and even 6400 and obtain acceptable reults. Just don't expect these settings to render anything useable without post production work.

Leica M240, 28mm f/2.8 Elmarit, 1/60 sec, f/4,ISO 4000

Leica M240, 50mm f/2.8 Elmarit, 1/30 sec, f/2.8, ISO 6400, 50% crop

Leica M240, 50mm f/2 Summicron, ISO 6400, 1/500 sec, f/2

Leica Elmarit 90mm f/2.8, ISO 160, 1/180 sec, f/11, Studio Strobe

Leica Elmarit 90mm f/2.8, ISO 800, 1/90 sec, f/8

I have been asked if a 35mm wouldn’t be worthwhile to have.  I admit that I have often thought of adding that focal length.  But the 28mm Elmarit performs so well that I have no problem cropping a file from the 28mm to obtain a narrower field of view, including that of a 35mm.   I rarely, if ever, make real big enlargements; this allows me to use cropping with all of my lenses as a tool to overcome one or more missing focal lengths.  As a matter of fact, cropping has allowed me in many instances to overcome the fact that for a rangefinder camera like the M240, zoom lenses are unfortunately not available.

Voigtländer 15mm f/3.8, ISO 1250, f/4.5, 1/60 sec, f/3.8

Voigtländer Super Wide Heliar 15mm f/4.5, ISO 320, 1/1000 sec, f/8, raw file

Voigtländer Super Wide Heliar 15mm f/4.5, ISO 160, 1/250 sec, f/11

Extreme cropping reveals the limitations of the Voigtländer 15mm Heliar

At the far end of the lenses I have are a 15mm f/4.5 Voigtländer Super Wide Heliar and a 135mm f/2.8 Elmarit.  I bought the Voigtländer because occasionally I run into situations where the 28mm is not quite wide enough.  But these occasions are rather rare and thus did not warrant the expense of a Leica lens.  The 135mm Elmarit on the other hand is a lens that I do use fairly often.  Much of my work is portraits or portrait related.  A lot of people that are not used to being in front of a camera on a regular basis are often quite apprehensive.  For closer shots, like head shots, I found it to be quite advantageous to use the 135mm instead of the 90 or even more so the 50 because I can work at a greater distance which can put the person in front of the camera more at ease.

Leica Elmarit 135mm f/2.8, ISO 800, 1/30 sec f/2.8, handheld

Leica Elmarit 135mm f/2.8, ISO 160, 1/180 sec, f/11, studio strobe

On and off I do some wildlife and close-up work.  Some time ago I picked up a Nikon 55mm Macro Nikkor and a 105mm Micro Nikkor.  They sat around until I got the M240.  With the electronic viewfinder and a Nikon to Leica M adapter I have two rather well working macro lenses that serve me well. 

Micro Nikkor 55mm f/3.5, ISO 2000, 1/125 sec, f/11

Micro Nikkor 105mm f/4, ISO 160, 1/180 sec, f/11, studio strobe

Leica M240 with Novoflex 200mm f/3.8

Leica M240 with Novoflex 400mm f/5.6

For long lens work I use a Novoflex 200mm f/3.8 and a 400mm f/5.6.  I was able to pick both of them up for next to nothing and I have found that they are equal or at least very close in performance to equivalent Leica lenses.  Especially the 200mm has an amazing performance potential.  That seems to be partially due to the fact that both lenses are of the same design as the former 400 and 800mm Telyt lenses from Leica.  Another reason was the ease of focusing of the Novoflex Follow Focus lenses.  Unlike any other lens, they use a spring loaded pistol grip for focusing.  Releasing the grip will set the lens to its minimum focusing distance.  Squeezing the grip will focus to infinity.  Once used to it, this has proven to be very fast.

Novoflex 200mm f/3.8, ISO 800, 1/350 sec, f/8, handheld

Slightly cropped

Cropped detail of the same file

Cropped detail of the same file

Novoflex 400mm f/5.6, ISO 160, 1/250 sec, f/11

Novoflex 400mm f/5.6, ISO 160, 1/250 sec, f/11, handheld from a boat

Novoflex 400mm f/5.6, ISO 160, 1/30 sec f/5.6, handheld
Yes, it's a lucky shot

Would another camera system be something for me to consider?  I have toyed with the idea of a Leica SL.  But when I think back to the days when I used a Leica R3 and R4, I feel that just like then, sooner or later I would gravitate back to an M camera.  I started out many years ago with a Leica III.  I guess that ultimately made me a rangefinder shooter.  I may add another camera at some time in the future, but I will always have a Leica rangefinder system at my disposal.




For other articles on this blog please click on Blog Archive in the column to the right

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