Wednesday, December 10, 2014

LEICA M9 WHITE SPOT SENSOR PROBLEMS



For a while now, some users of the Leica M9 have reported problems with white spots appearing in their images.  Sensor cleaning is not the issue because any dirt shows up in form of dark spots or streaks.  The problem apparently lies in the glass cover plate; the spots are caused by corrosion.

Leica today issued a response to the problem by saying:

Important Information Concerning the CCD Sensors of the Leica M9 / M9-P / M Monochrom / M-E

In some cases, particularly when using the camera models Leica M9, M9-P, M Monochrom or M-E with smaller apertures (5.6-22), effects caused by corrosion of the sensor glass may be encountered. Leica offers a free replacement service for the CCD sensors of cameras affected by this problem as a goodwill arrangement. This goodwill arrangement applies regardless of the age of the camera and also covers sensors that have already been replaced in the past. Customers who have already been charged for the replacement of a sensor affected by this problem will receive a refund.

We have now identified the problem and are currently concentrating our efforts on finding a permanent technical solution. The marks on images mentioned earlier are related to the properties of the CCD sensor. The sensors are equipped with a specially coated IR filter cover glass to ensure optimum imaging performance. Should this coating layer be damaged, corrosion effects that alter the filter surface may begin to appear after several years.

The effect described does not affect the CMOS sensor of the Leica M (Typ 240). Should you be considering an upgrade from your camera to a Leica M or M-P (Typ 240), Customer Care would be pleased to make you an attractive offer following a check of your camera and under consideration of the model and its age.

If the imaging quality of your camera gives cause for complaint in this respect, we recommend that you send it directly to Leica Customer Care or the authorized Customer Care department of your country’s Leica distributor. As longer waiting times may otherwise occur, the camera should only be sent to Customer Care after prior arrangement.

Contact: Web site:  http://en.leica-camera.com/Service-Support/Repair-Maintenance. 
E-mail: Customer.Care@leica-camera.com. 
Telephone: +49-6441-2080-189.

For us, it is important that we offer only technically faultless products. We are therefore particularly sorry if the imaging quality of your camera should be adversely affected in any way. We hope that the goodwill arrangement we have decided upon will allow us to remedy the problem as soon as possible and rebuild and maintain the trust you have always placed in our brand.


That is a very positive reaction and Leica is to be commended for standing behind their products in this manner.



Tuesday, December 9, 2014

SCARABAEUS BELT CLIP FOR LEICA CAMERAS





Many Leica owners like to have their cameras always ready to shoot.  For that purpose, as well as for easy carrying, a belt clip has proven to be a great accessory.  It allows easy carrying of the camera, yet it is virtually instantly available to take pictures.

One of the earliest such belt clips was originally developed by Norman Goldberg of Camera Craft in Wisconsin.  He is best known for developing the Camcraft N-5 motor drive for the Leica M2.  His was a very well made, simple to use clip that attached to the tripod socket of the camera to allow carrying it on a belt.

 












A virtually identical unit is also available under the Remoclip label.  Both of them work equally well with the exception that they both subject the camera to possible scuffing and premature wear from being attached to a belt and taken off because there is no protective layer in between.  In addition, the clip is always attached to the camera, thus changing its ergonomics.  Many Leica users feel that it alters the feel of the camera, that it changes how comfortable the camera feels. 

A new product on the market does away with those shortcomings.  Made in Germany, the Scarabaeus steel and leather premium holster system is an extremely high quality accessory, not only for Leicas but almost any other camera as well.  

Scarabaeus comes complete with everything necessary to attach a camera securely to a belt

Its choice of materials was made on the basis of toughness and security. Every single component of the Scarabaeus Holster was specifically manufactured in Germany and laboriously assembled by hand.  The outer casing of Scarabaeus is consequently made of hard steel to ensure safety and maximum stability. The core of Scarabaeus consists of anodized aluminum, which is particularly scratch-resistant. The inside pads are made from genuine leather with a snake texture. The indestructible character of Scarabaeus is reflected by its classic design. When you hold it in your hand for the first time, you will immediately notice the strength and quality of the product.



The design allows the camera to be easily taken off the holster with either just a small screw attached to the tripod socket or a small adapter plate if necessary.  The holster itself remains on the belt.

The Sacarabaeus holster system is available in three different version, the Scarabaeus Classic Silver, the Premium Bronze, and the Deluxe Gold, ranging from 149 dollars to 199 dollars.




While there are many other holsters on the market, I have found not a single one as easy to use as the Scarabaeus and there certainly isn't anything around that exceeds its quality.  It is an item definitely worth to be used in conjunction with Leica cameras.

For complete information go to http://www.photoscarab.de/

A video about its use can be found here: http://www.photoscarab.de//Instructions

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Thursday, December 4, 2014

COLORFUL LEICA CAMERAS FOR A GOOD CAUSE




The children of two grade schools in Dortmund, Germany were allowed to let their creativity run wild.  They painted and decorated cardboard models  of the Leica M rangefinder cameras according to their own ideas.  The result: 140 small works of art that are currently displayed by Leica Camera AG at Leitz Park in Wetzlar.  In return for the colorful designs, Leica Camera has made two unique cameras in the design of the cardboard version available for charity.

The cameras, a Leica M (type 240) and a Leica ME were designed by the Munich artist Helmut Lutter, true to the creations by the third and fourth graders Nesrin and René.
The individual pieces will be auctioned in the coming weeks for a good cause. The auction proceeds will go 100 percent to benefit of the projects of the charitable Kinderlachen eV (children's laughter).


The 140 cardbord cameras of the Dortmund elementary school students are on display in the Erlebniswelt (Adventure World) of Leica Camera AG at Leitz Park Wetzlar until the end of January 2015. The opening hours are Monday to Friday from 10am to 8pm and Saturdays and Sundays from 10am to 186pm clock. Admission is free.

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Tuesday, December 2, 2014

LEICA PRICES IN OTHER COUNTRIES



Have you ever wondered what Leicas are selling for in other countries?  It is no secret that prices do vary considerably depending what continent of what country you are in.  I have often compared prices with my sister who lives in Germany and we have come to the conclusion that Leica prices in Germany are roughly the same numerically in euros or dollars.  Considering the exchange rate between the two currencies, that makes Leica equipment definitely more expensive in Germany than in the US.

This is by no means a very scientific comparison, but it does display a certain trend.  To make comparisons between a large number of countries is almost impossible, for a variety of reasons.  The currency exchange rates often differ from one day to the next.  Prices will also vary from dealer to dealer and among cities or areas within a country.

I got help from a reader of this blog a few days ago.  Torben Chrona Christiansen publishes the LEICA INDEX (www.leicaindex.com).  He did a tremendous amount of research on this topic.  As he explained, it was virtually impossible to include all countries, nor does he consider his results totally accurate because of the problems associated with this.  He decided to compare prices of the Leica X2 in 21 different countries and after researching the prices in those countries, he decided to publish the prices based on one particular day, November 21, 2014 and the prevailing exchange rates for that particular day.  Since these countries do have currencies of their own, he also decided to use the US dollar as the currency for the comparison.



Here are his results from the least expensive to the most expensive country.

1   Indonesia: $1624
2   United States: $1629
3   Malaysia: $1662
4   Sweden: $1689
5   Hong Kong: $1701
6   Canada: $1727
7   Australia: $1730
8   Japan: $1796
9   United Kingdom: $1884
10 Italy: $1912
11 Spain: $1981
12 Croatia: $2000
13 Netherlands: $2107
14 France: $2170
15 Germany: $2170
16 Denmark: $2294
17 Russia: $2310
18 Taiwan: $2368
19 China: $2384
20 South Africa: $2548
21 Brazil: $2788

 Leica X2 best price

That makes for a difference of $1164 between the lowest and the highest country, a surprisingly large amount.  It seems to be an easy decision to buy Leica equipment in a country with the lowest prices.  But there is more to consider.  You will need to examine the warranties and how they compare, if they are even valid in your country.  There will also be some extra cost attached to buying in another country, where the main extra costs are tax and shipment. This can in some cases be a very big factor. 

You might pay a higher price if you buy locally, but if something goes wrong, you have your dealer service to rely on, and, if you are like me, once I have made the decision to get a new piece of Leica equipment, I want to get my hands on it right away.  Buying locally eliminates the waiting period for the camera to arrive.  Much to consider. 

My thanks to Torben Chrona Christiansen for giving me permission to use his data for this article.


For the complete article, go here

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Monday, December 1, 2014

LEICA M3D SPECIAL EDITION PRESENTED TO DAVID DOUGLAS DUNCAN



On Friday, November 26, Leica Camera presented a special edition Leica M3 to one of the legends of photography, American photographer David Douglas Duncan.  The camera, labelled M3D (D for Duncan) is similar to a specially made Leica M3D that was made for him in 1955.  Only four of those models were made at that time.  That camera was the forerunner of the Leica MP which became available in 1956.

<p>David Douglas Duncan mit der ersten Kamera der Edition, die seine Signatur trägt.  (Foto: Heiland)</p>
David Douglas Duncan with his new Leica M3D  (Photo: Heiland)

Duncan was born in Kansas City, Missouri in 1916.   He started his career as a photojournalist when he took photographs of a hotel fire in Tucson, Arizona where he was then studying archaeology at the University of Arizona.  Those photos included some of a guest who tried repeatedly to go back into the burning building to retrieve his suitcase.  That guest turned out to be the notorious bank robber John Dillinger.

After college, Duncan began to freelance, selling his work to magazines like The Kansas City Star, Life and the National Geographic Magazine.  After Pearl Harbor Duncan joined the Marine Corps, earned an officer's commission, and became a combat photographer.  Just before the United States entered World War II, Duncan was sent to the south Pacific on assignment.  Duncan also covered the battle of Okinawa, and was on board the USS Missouri during the Japanese surrender.

After the war he was hired by Life to join their staff.  During his time with Life he covered many events including the end of the British Raj in India and conflicts in Turkey, Eastern Europe, Africa, and the Middle East.

Many consider his most famous photographs those he took during the Korean War.  He later compiled many of those photos in a book called “This Is War.”  He donated the proceeds of the book to widows and children of Marines who had been killed in the conflict.  Duncan is considered to be the most prominent combat photographer of the Korean War.


After the Vietnam War he published two more books, “I Protest” in 1968 and “War Without Heroes” in 1970.

Besides his combat photographs, Duncan is also known for his photographs of Pablo Picasso, to whom he had been introduced by fellow photographer Robert Capa.  He became a close friend of Picasso and eventually published seven books about him.  He now lives in Castellaras, France, close to Mougins where Picasso spent his last 12 years.

In 1966 he published “Yankee Nomad,” a photographic autobiography with photographs he took during his career. In 2003 this book was revised and published under the title of “Photo Nomad.”  Another book, “The World of Allah,” was published in 1982.

Many of his photographs are displayed in the exhibition "Magic Moments - 60 Jahre Leica M" at the Leica Gallery of Leica Camera AG at Leitz Park in Wetzlar.

The special edition Leica M3D is limited to just 16 examples.  They are engraved with Duncan's signature on the back of the camera.  These also include a signed enlargement of Duncan’s photograph "Picasso holding the Snow Owl mask.”



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Friday, November 28, 2014

LEICA FOTOPARK PREMIUM PRINT SERVICE



The following information from Leica reached us this morning:

Leica Fotopark

PREMIUM PRINT SERVICE

Your pictures in Leica Gallery quality

Premium Print Service


Dear friend of Leica,

As a photographer, you are well aware of the origins of photographic excellence. It is the passion that you invest in the search for the perfect picture. A passion that you share with other photographers in Leica Fotopark. And now you can transform this passion into a tangible experience – with the new premium print service.
Only the finest materials and state-of-the-art printing technologies are employed in the production of your prints. At the same time, you maintain complete creative control over the picture to be printed. Discover the infinite options for giving your picture the perfect frame.

Leica Fotopark is a place of inspiration, for open exchange and organisation of high-quality photos. The community and the use of the Premium Print  Service are independent from camera model and brand.

WE ARE HERE! WHERE ARE YOU?



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Thursday, November 27, 2014

SOLMS FOTOBĂ–RSE (PHOTO EXCHANGE)



The Solms Photo Exchange attracts Leica fans from many countries.

When Wetzlar Leica specialist Lars Netopil invites to the photo exchange on Saturday, November 29 from 11 am to 5 pm at the Taunushalle (Taunus hall), friends of photography come from all over the world to this little town in the middle of Hesse, especially fans of the world famous Leica, to see the treasures up closely.  Last year there were several hundred collectors who visited the 87 exhibitors.

 
 To look at, to touch, to talk shop, to search and to find

At the exhibitions in the Taunushalle visitors will be able to purchase everything from classic cameras to lenses to accessories like light meters, batteries, camera bags, flash attachments, tripods, literature and a lot more.  Of course many high quality makes of cameras will be offered, but when it comes to the cameras with the red dot, the eyes of the collectors assembled at Solms will appear to be a bit brighter.

Take watchmaker Johann Schepers from Staufenberg for instance, he has his Leica rarities in daily use and many stopped to marvel at his Leica I from 1930 in the past.  Even though it looks inconspicuous, it still produces outstanding pictures.

 
Johann Schepers with his Leica 1 from 1930

“That is what fascinates me so much, the precision and the finest mechanisms still function like clockwork after 80 years – the monetary value leaves me cold,” the hobby photographer marvels while showing his outstanding color photographs of the Antarctic to those interested.

“Photography only works with film and without automation for me,” he declares categorically and the visitors eye the camera veteran with virtual reverence. 

Everywhere they talk shop, try things out, rummage and negotiate and one or the other long sought after piece, which was missing in the collection and which isn’t even offered elsewhere any longer, will be found.

Most photographers and collectors feel very much at home in the loose atmosphere of the camera lovers in the Taunushalle.  Time after time they look for discussions and exchange of experiences.  Fans always look forward to the Solmser Fotobörse and the possibilities to catch a treasured favorite piece of equipment.


Lars Netopil will also make his new book “Rare Leicas” available at the Solms Fotobörse.  Judging by past successes, it is safe to assume that this year’s Fotobörse will be just as successful as it has been in the past.

Admission is 5 Euro. For more information, contact Lars Netopil at (06441) 41 03 78.

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Tuesday, November 25, 2014

FOUR EXTREMELY RARE LEICA CAMERAS



Recent auctions have resulted in astonishingly high prices for rare Leica cameras, a trend for which there seems no limit in sight.  Here is a group of four extremely rare Leica cameras.  One can only wonder what the current market price might be.




On top is a Leica 250 in excellent condition.  These cameras were usually subjected to a great amount of wear and tear which makes the condition of this camera all the more surprising.  This particular example was derived from a Leica IIIa, making it a Leica 250 GG model.  It was produced from the second half of 1935 up to 1943.

Below, in the middle of the right side and to the left of it are two Leica Compurs, equipped with an Elmar 50mm f/3.5 lens with central leaf shutter, giving a range of shutter speeds between 1 sec and 1/300 sec. These were the first Leica cameras to offer shutter speeds down to 1 sec.  The version with the black dial set shutter was produced in just 628 examples between 1928 and 1929, while the other, dial set version was produced in 1024 units between 1928 and 1931.

At the bottom is an extremely rare Leica Anastigmat, a Leica 1 or model A, dating back to 1925.  It is part of the first production batch of these cameras.  Equipped with a 5 element, 50mm f/3.5 Anastigmat lens, it was manufactured in less than 150 units.

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Monday, November 24, 2014

RUSSIAN LEICAS



When the first Leica was introduced at the Leipzig Spring Fair in 1925, it was quite a sensation.  It was the first time that such a small, portable camera was capable of delivering professional results.  Thus it is not surprising that other camera manufacturers took note.  As a matter of fact, the entire photographic industry at that time soon got involved to come up with 35mm cameras of their own.

The 1930s saw the first imitations and the first attempts to bring construction standards in line with those of the new small format camera.  While German companies like Zeiss respected the Leitz patents and worked on coming up with their own 35mm camera designs, camera companies from other countries showed much less respect for the rights of the German company of Ernst Leitz.

Especially in Russia, the Leica was at the very front of an industrial venture that was to span a period of over 50 years.  The Leica II with its built-in rangefinder was studied, analyzed and finally reproduced in functional prototypes starting as early as 1933.

Image of Leica II
Leica II

Prewar FED, the first Russian Leica copy to be mass produced

The Leningrad mechanical works were the most advanced in Russia at the time.  They built prototype copies of the Leica under the VOOMP name, while the FAG company in Moscow built a few examples under the FAG name.  Both models were exact copies of the Leica with the exception of not having an accessory shoe.  In 1934 the Leningrad and Moscow prototypes were abandoned and the construction of Russian Leicas began at the FED works in the Ukraine.

While these Russian Leica copies do look very much like a genuine Leica, a bit closer inspection will quickly reveal that these cameras do not approach the overall quality of a Leica.  They usually operate a lot rougher, without the legendary smoothness of a Leica.  But there is one other, sure way to tell if it is a Russian copy or the genuine Leica product.  All one needs to do is to remove the lens.  This will reveal the rangefinder lever of the camera.  While all Leicas have a roller at the end for smooth operation, the Russian copies have only a simple cam.

Leica rangefinder lever with roller

FED with simple cam at the end of the rangefinder lever

Export Zorki, Standard Zorki, Synchronized Zorki
From top to bottom:

The prewar production of FED cameras was over 150,000.  That included a number of experimental cameras with a top shutter speed of 1/1000 sec. and some had a slow shutter speed dial like the Leica III.  It is thought that some even had a large film capacity of 250 frames, like the famous Leica Reporter.

Leica Reporter with attached electric motor

Some of the prewar FEDs were even engraved with the Leica logo on the top plate.  These were meant to be exported to Western Europe.  While the standard FED cameras all were equipped with a 50mm f/3.5 lens, a copy of the Leitz Elmar, labelled as Industar, the lenses for the Leica engraved cameras even used the Elmar designation on the lens.

Fake Leica Engraving on FED

Fake Leica engraving on Industar lens

The beginning of WWII resulted in the suspension of the manufacture of FED cameras for the civilian market in 1941.  Production started again in 1946 and went on without any major changes until 1955.

Between 1949 and 1950, about 1000 FED cameras were modified with the Contax type bayonet mount to be able to use the original Zeiss lenses for the Zeiss Contax.  In place of the usual FED inscription, the top plate of these cameras was engraved with a five point star, surrounded by the Cyrillic letters TCBCB.

In 1948 the Krasnogorsk optical works near Moscow started to produce FED cameras.  Initially their cameras were engraved with a combination of the FED and Zorki label, Zorki meaning ”sharp sighted” in Russian.  But after just a few examples, these cameras switched to just the Zorki label.  These cameras were absolutely identical to the FED and they too were produced without any changes until 1955.

In 1954 a variation of the Zorky 2 cameras was made with a short production run of approximately 1000 cameras.  They had an identical camera body as the Leica they were copied after, but were equipped with a long prewar Zeiss Contax style self-timer lever.

During the military occupation of the cities of Dresden and Jena, the Soviet troops removed the entire Contax works and took all machinery back to Kiev.  That led to experiments of combining elements of the Leica and the Contax.  This led to the design of the Zorki 3 which differed from the original Leica copy in many respects.  The Zorki 3 was equipped with a large viewfinder/rangefinder very much like the one in the Contax.  The camera also had a slow shutter speed selector.

Standard Zorki (bottom) and Zorki 3C
with Zeiss Contax style rangefinder/Viewfinder

In 1955 the FED too was equipped with a large viewfinder as the FED 2 model.  This remained in production without any significant changes until 1970.  In 1956 the FED 2 was equipped with a flash synch outlet but was left otherwise unchanged.  The Zorki C, Zorki 2C and Zorki 3C also changed to offer flash synch, but not without a redesigned camera body.

FED 2, Leica body with Zeiss Contax style viewfinder


With the Zorki 3 and even more so with the FED 2 and Zorki 3, the Russian camera industry finally moved away from the Leica style.  But they maintained the Leica screw mount for another 30 years.

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