100 Years of Haus
Friedwart
Most people interested in
the Leica and its history are familiar with the date of 1913. It was then that Oscar Barnack built the
prototype of the Leica, the Ur-Leica.
But 1913 also saw the beginning of another milestone on the history of
the Leitz family. It was then that Ernst
Leitz II decided to begin construction of a new family home.
Ernst Leitz II
The main reason for this
was his desire to be able to accommodate not only his family but also visitors to
Leitz - physicians, scientists and Leitz representatives from all over the
world - in his house. He wanted to be
able to have dinner with the family and his guests to learn first-hand - apart
from the day-to-day business in the company - what developments were emerging
in the different countries, what products were in demand and what improvements
and additions were necessary to further his business.
His wife Hedwig was a
trained concert pianist. She wanted a large music room to hold house concerts.
In 1913, Ernst Leitz II commissioned architect Jean Schmidt to begin work on a
draft for the new villa. The building application was made in early 1914 and in
May construction started.
At this time Ernst Leitz
II was on a business trip to New York. He
asked his closest colleague, Henri Dumur, to take over supervision of the
construction. It quickly became clear to Dumur that an interior designer for
the design of the representative rooms, including their furniture, should be included
in the planning for this project.
Photograph taken by Ernst Leitz II in Manhattan with the Ur-Leica
He hired the architect and
furniture designer Bruno Paul and Ernst Leitz agreed to their proposal. Thus another extraordinary villa was created
by the renowned architect and designer. It
is the only one which survived to this day complete with the furniture designed
by Bruno Paul.
More than three years
later, in October 1917 the Leitz family moved to their new residence. After all the suffering of WWI, Ernst Leitz
II decided to call it “Friedwart” (Guard of the peace).
Oscar Barnack started to
make several improvements of the Ur-Leica.
A decision had to be made if the camera should be built and marketed by
Leitz.
At the end of 1923, the
head of the company was sitting in his study on the first floor and wondering
whether hyperinflation, the currency reform, the loss of all financial assets
in Germany and the resulting low purchasing power would make sense to launch a
new photographic system.
A particular problem was
that Leitz as a microscope manufacturer had no distribution channel for
cameras. Given these major risks, some of his closest associates advised him
against the plan. After a long
management meeting in June 1924, he put the series production of the Leica
system developed by Oscar Barnack to the test with the words: "I hereby
decide that we will risk it".
Soon Haus Friedwart became
more and more an international meeting place. The post-war period began with
the visits of world-famous musicians. It was followed by statesmen like former
German chancellors Konrad Adenauer and Theodor
Heuss as well as the Japanese Crown
Prince and today's Emperor Akihito, who spent some lively hours in house
Friedwart in the 1950s. Many major Leica photographers like Henri Cartier-Bresson
and Alfred Eisenstaedt enjoyed repeated stays there as well.
In 1974 the house was
listed as a historical monument. In
November of 2011 the non-profit Ernst Leitz Foundation was established and the
house with all of the Bruno Paul designed furniture was transferred to it.
The 100 year old tradition
of cultural events at Haus Friedwart continues to this day. It is done in cooperation with the Wetzlar cultural
community and the Tourism Information Wetzlar organizes several guided tours of
this house per year.
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