Photo by Mark Duncan
By Frank Breithaupt
Reprinted by permission
From News Photographer
December 1978
It was early morning, one hour before the vacationing President was scheduled to make his way by raft down the Salmon River. Around a bend, half-mile downstream were several photographer on a swinging footbridge.
When the President’s raft came into view, Harry Cabluck started making exposures with his hand made 800mm Leitz f/6.3 lens at 1/125th of a second with his tripod mounted camera on a swaying bridge.
Cabluck, a 10 year veteran of the Associated Press, insists that the shot shouldn’t have worked.
Instead, he captured a classic last august – a tight photo of President Carter’s raft floating down the river with the President standing monumentally in the bow like the famous Leutze painting of George Washington crossing the Delaware.
“It’s the first time in my life I’ve ever planned something and executed it just the way I thought it would be,” Cabluck said. “Hell, even getting married wasn’t planned out that way.”Cabluck has a history of getting pictures no one else does because of his planning and his 800mm prototype: the “agony and the ecstasy” at the 1976 Olympics, the Carter family after the Inauguration walking down Pennsylvania Avenue with the Capitol dome in the background, and key plays in baseball games where his attachment to the lens began.
With AP in Pittsburg, Cabluck borrowed the prototype from Walter Heun, technical director for E. Leitz, Inc., for use in the 1974 All-Star game in Pittsburg.
In Heun’s hands, the lens had been used to photograph the Apollo 8 launch on December 21, 1968, of Borman, Anders and Lovell on a 147 hour lunar flight.
Once in Cabluck’s hands, it was lost to Leitz. “They figured it would be better to sell it to me than to just let me have it,” Cabluck explained.
With his 800, Cabluck said that getting the picture is not all that difficult. “It’s not so much me as the lens,” he said. “A lot of people think that it’s me, but anybody with that lens in their hands is going to make a good picture.”
Well, not quite.
As Hal Buell, AP’s assistant general manager for news photos put it, “Harry knows how to use that lens. And when to use it. It’s an excellent piece of glass and the whole thing comes out to nice pictures because Harry’s a very talented buy.”
Putting himself into a situation where he can use his lens is where Cabluck”s real talent comes in.
With a call to The Idaho Statesman, Cabluck checked lighting, distances and angles. He talked to the White House people. The weight of the lens – 32 pounds – was a factor. “I figured, what the heck, I’d carry the 800 out there. It’s a pain in the neck, but I just live with it.”
The white House said he wouldn’t have to carry his equipment – two Halliburtons, one for the camera, the other for the 800 – more than 50 yards from the helicopter landing area to the footbridge. “I said great! I can carry everything 50 yards.”
But then surprise. The helicopter left and Cabluck had to lug his two cases a mile to the pickup point. “It seemed like five in that altitude. And I am just cussing myself all the way – you idiot, I said, the pictures won’t work, they’re soft, the film is all bad, the light was so bad… an 800 from a swinging bridge, the raft is moving right at us, the bridge is moving, my heart is beating and it shouldn’t have worked. Who would shoot an 800 on a tripod at a moving raft even if the camera was bolted to the earth?”
But after processing it was all worthwhile. Weeks later he was still doctoring his elbows from carrying his cases that Idaho mile.
During his decade years with AP, Cabluck has been sent as far north as the Montreal Olympics, as far east as Yankee Stadium, as far south as San Juan, P.R., and as far west as Beijing, China.
Cabluck has become known as “Dancing Bear and his Magic Lens.”
“There’s just a certain superstition I have about it – I’m not superstitious, ordinarily, except when it comes to that lens.”
Cabluck was a staff photographer at the Fort Worth TX Star-Telegram for 11 years (his brother, Jarrold, is a Fort Worth freelancer). Harry Cabluck recalled the first shot he sent fro AP over the Star-Telegram transmitter – the aftermath of an unconfirmed tornado in 1958:
“It was just a cop standing on the side of a building. A crummy picture. But I got all caught up in the excitement of having my picture transmitted. I was the guy that made the print, wrote the caption, wrapped it around the drum and watched the thing go. It was a big thrill.”
Cabluck’s superstition may be a gag with AP staffers. Nevertheless the say, “This looks like a job for Harry and his magic lens.”
And Harry does the job.
______________________________________________________
The Leitz 800mm f/6.3 Telyt-S was of a similar optical design as its shorter companions, the 560mm f/6.8 Telyt and the 400mm f/6.8 Telyt with one definite difference. While the two shorter lenses had only two elements in one group, the 800mm lens was designed to consist of three elements, also in one group. That offered the additional optical corrections needed for such a long lens.
For easier carrying, the lens had a built-in handgrip,which also contained a gun type sigt for easier initial aiming.
Technical Data:
Lens construction:3 elements in 1 group
Focal length: 800 mm
Diagonal angle of view:3.1°
Aperture: ƒ/6.3...32
Min. Focus:41 ft (12.5 m)
Length: 31.1 in (79 cm)
Weight: 15.12 pound (6860 g)
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Is this an early April fools joke? They always say professional don't use Leicas.
ReplyDeleteWell, that goes to show what "they" know.
DeleteI think this lens would look really cool on a Leica M10 Or Leica SL.
ReplyDeleteOwning a Leica M or SL makes any lens on it look good.
DeleteDidn't Leica at one time have a crazy promotion on this lens? I think it involved a car.
ReplyDeleteYes. If anyone that bought this lens from a dealer at their choice, Leica gave the new owner of this lens a VW.
DeleteWow, that has to be the ultimate of any lens promotion ever.
DeleteWait a second, if they threw in a car, how much did the lens cost?
DeleteIf my memory serves me correctly, the lens was 23,000 dollars in the early 70s.
Delete23,000 Dollars in the early 70s, that's incredible. No wonder they were able to throw in a car.
DeleteHow could it be that much?
DeleteThe lens was of a unique design, compared to a lot of other long lenses. It contained only three cemented element. Those were made of some rather exotic, meaning expensive, glass. This glass has not been surpassed in its properties even today. In order to obtain the rather astonishing performance of this lens, it had to be made to an extremely high level of accuracy which involved that many parts had to be hand made or hand finished, all of which led to the high cost, especially if one considers that just over 100 examples of that lens have ever been made.
DeleteCould this lens be used on a Leica M camera?
ReplyDeleteYes, the 800mm Telyt can be used on any Leica M camera. The Leica film cameras and the digital Leicas without live view require the Visoflex II or III and the lens to be configured for Visoflex use. The late digital Leicas can use the lens with the Leica R mount and the Leica R to M adapter or the Visoflex version with the Visoflex II or III.
DeleteAs I got older and increasingly arthritic, the supposed 15 pounds of the Telyt S 800, started to feel more like 15kg. It is also more suited to black and white film, than modern colour digital, given its minimal chromatic correction. When I sold mine, I got enough to buy a new 0.95 Noctilux and a new 18mm Super Elmar-M. I now use the far more compact and better optically Zeiss modular Tele-Tessar 300-600-1200 lens. To give you an idea of the relative levels of complexity and correction on the two lenses: Telyt 800 3 elements in 1 group; Tele-Tessar 1200 18 elements in 14 groups.
ReplyDelete