By David Farkas, LeicaStore Miami
Back at the end of last
year, I posted my thoughts and a poll on what the next generation S camera
might look like and what features are most important to S users here: Thoughtson the Next Generation Leica S
Overwhelmingly, resolution
was the number one request, with most users wanting to see 60 megapixels. Other
top wishes included a desire for better high ISO performance and improved
dynamic range, while keeping the same speed as the S007. There were also those
who saw value in 4K video using the entire sensor area. Interestingly, others
felt as I did with regards to leaving the body alone, both to retain
compatibility with existing accessories as well as appreciating what a great
design is already in place. Now that the S3 has been officially announced at
the press event on Tuesday, it looks like the major boxes were checked.
Leica S3 announcement at
the press event
At the heart of the Leica
S3 is a brand new, Leica-specific 64 megapixel CMOS chip. This new exclusive
sensor architecture features improved dynamic range, superior high ISO
performance with lower noise, a new color filter array for better color
reproduction, and lower power consumption. The camera is still quick with a 3
frames per second shooting rate, down only very slightly from the 3.5 FPS in
the S007, and the ISO range has been bumped from a maximum of ISO 12,500 to ISO
50,000. This looks very much like the camera most S users were hoping for. So,
kudos to Leica for paying attention and delivering what customers actually
wanted.
ISO range up to 50,000
Outwardly, the S3 looks
and feels identical to the S007, which isn’t a bad thing at all. The current S
body is extremely ergonomic and satisfying to shoot with. I’ve relied on the S
system for all my serious landscape excursions for years. The S is a tank,
through and through, holding up to some of the most gnarly conditions I can
throw at it. Whether standing under a waterfall or laying in the surf, the S
just works, turning out breathtaking image quality. And the optical viewfinder
is second to none, offering up a clear, bright and expansive view through the
stunning S glass. Now, Leica seems to have taken that formula to the next
level.
At the show, before my
scheduled interview with Toni Felsner, the product manager for the Leica
S3, I had the chance to play around with
the camera. Leica had numerous working prototypes placed around the booth and
in the back press room. They also had a small photo studio set up where you
could shoot the camera tethered to a computer running Lightroom. All the memory
card doors were glued shut. Yes, I checked. A this point Leica doesn’t want
anyone sneaking off with files before the camera’s processing algorithms are
fully baked.
But, I can attest that the
cameras all work perfectly, and that the resulting images on the LCD screens
and during tethered shooting looked great. I was able to zoom in to 100% on the
LCD, which was just about as quick as doing so on the S007. This was one of my
concerns with putting so many more megapixels into the camera, but speed
doesn’t seem to be an issue here.
Can I keep it?
Remember, the Maestro II
image processor in the S3 can churn through 320 megapixels of raw file data per
second. That’s still enough capacity to render and display five images per
second at 64 MP. So, even though we’re not seeing a new generation of processor,
Maestro II was designed with ample headroom. Honestly, there wouldn’t be much
benefit here shifting to a new architecture.
Big prints from the S3
I checked out some massive
prints from the S3 that had to be rolled out on the floor. These handheld landscape
shots were incredibly sharp and detailed. I got down on the floor to scrutinize
them and I still couldn’t find any fault. The level of resolving power between
the S lenses and the new sensor is impressive, to say the least.
The following day, I had
the chance to chat with Toni Felsner, product manager for the Leica S3. Toni
and I have known each other for the better part of ten years, back to the early
days of the S2.
Toni Felsner
DF: Hey Toni. Thanks for
meeting with me to discuss the S.
TF: My pleasure.
How’s the show going so
far?
Great. Lots of interest in
the new S3.
This show is significant
for the S, isn’t it?
It’s actually been ten
years since we launched the S System. We’ve had three generations of S camera.
We’ve delivered 16 major firmware updates to our customers. We now have 16 S
lenses in our portfolio, six of which have central shutters. And now we’re very
excited about the S3 launch.
What has changed for the
S3?
Primarily, we have changed
the sensor, increasing the resolution from 37.5 to 64 Megapixels while
improving overall image quality.
Is the sensor adapted from
another Leica product?
No, this is a completely
new design, made specifically for the Leica S3. You will not see this sensor
technology in any other camera.
What about a low pass
filter?
No, we only have an IR
filter glass over the sensor. A low pass filter would reduce resolving
performance, so we don’t use it.
Conventional wisdom says
that as resolution increases and pixel size decreases, dynamic range and high
ISO performance suffer. Is this the case with the new sensor in the S3?
Absolutely not. We stayed
at 37.5 megapixels for as long as we did in order to focus on delivering
maximum image quality. Top DR. Excellent high ISO. But, sensor technology has
evolved and we are now able to achieve both an increase in resolution and, at
the same time a two stop improvement in noise performance, and even greater
dynamic range than the S007.
Wait. Better dynamic range
than the S007? With over 15 stops of range, the S007 is incredible. It’s
changed the way I approach landscape shooting.
Yes, we are going to be
able to offer even more. Wait until you see it.
That’s incredible. Any
other cool tech on the sensor side?
So the sensor features a
dual gain structure, which allows us to maximize higher ISO performance. In our
test shooting, ISO 6400 looks super clean. Almost no noise whatsoever. And, the
noise profile on the files at even higher settings looks less like noise, and
more like grain.
Also, we implemented a new
color filter array, which is going to offer really amazing color. We will tune
the output for skin tone, but it will work extremely well for a wide variety of
applications like landscape, architecture, fine art, etc. You’ll especially see
an improvement in the red channel, which has always been challenging for
digital photographers when photographing bright reds, like automotive paint, or
flowers in the sun.
Clearly, you were focused
on image quality. Did you think about any other criteria when you were
developing the camera?
We really worked on making
the sensor very power efficient with extremely low heat output. By running the
sensor cooler, this gives the user better battery life, but also delivers the
best image quality. You don’t want a hot sensor. Not for video, and not for
absolute best image quality.
I’ve noticed that some of
the mirrorless competitors can run a little warm.
Yeah, this is one of the
reasons why we feel it is best to stick with the DSLR form factor. We have
absolutely no problem with dissipating heat, and this allows us to not
sacrifice any quality.
Would you consider
bringing out a mirrorless in the future?
Sure. We would certainly
take a look. We, of course, listen to our customers and hear this request. But,
we will not do it if it means sacrificing absolute image quality. This is always
our top priority. If the technology becomes available, we would certainly be
open to this idea. Right now, we are completely focused on the new S3 and
optimizing image quality before delivery.
And what about the video
features?
We are able to offer 4K
video across the entire medium format frame, which is a first. So you get to
keep the look of the still photos. No crop on the lenses. Same Leica look and
color between stills and video.
How about the speed? The S
has always been one of the fastest medium format cameras on the market since
the S2. With so many more pixels to deal with, will this effect the speed,
either with regards to frame rate, or review?
So, we were able to keep
the speed up with fast Maestro II processing. The frame rate only drops
slightly from 3.5 fps on the S007 to 3 fps on the S3. This is still extremely
fast for medium format. Do keep in mind, though, that we are still using a
buffer size of 2GB. With the larger files, they do take up more space, so instead
of the buffer depth of 12-15 shots on the S007, the S3 will only have 6-7
images before the buffer fills. It does clear quickly, in about ten seconds
when completely full, but we think that this is still okay for most users.
Playback and operation are
very similar to the S007. Here, we still keep the camera very responsive and
nice to work with.
The camera looks great.
When can we expect it to be available?
Our plan is to start
delivering in Spring of 2019. We still have some things we want to optimize,
but the quality is already outstanding and quite promising.
Would it be possible to
for customers with the S007 to have their cameras upgraded to the S3 by
Customer Care?
We did consider the
possibility of an upgrade program, but because the entire camera would have to
be taken down to its base components and rebuilt like a new camera, with full
calibration and alignment, along with the cost of the sensor and supporting
technology, the cost would be quite high. We figure that most customers will
find it more economical to trade-in or sell their current camera.
And what about pricing on
the S3?
We will announce the final
price as we get closer to the release of the camera.
Thanks so much, Toni. I
can’t wait for the camera.
For other articles on this blog please click on Blog Archive in the column to the right
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To comment or to read comments please scroll past the ads below.
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