By Luis Mora, Leica StoreMiami
Ever since Leica announced
that they were reissuing the 28mm Summaron-M, I couldn’t wait to get my hands
on one. I love classic Leica glass. The feel of the images. The vintage styling
on the front of my M. The connection with history and legend. There’s just
something about rediscovering these older lenses on modern cameras.
The 28mm Summaron features
the same optical design of the original, but with updated mechanics, modern-day
lens coatings and a 6-bit coded M bayonet mount. Yet, it still looks like something
from a bygone era. Awesome.
Protruding less than 2cm,
a mere 3/4 inch, from the front of the camera, this is now officially the
smallest M lens in the lineup. It’s tiny, but focusing is easy enough with the
ridged cylindrical focus knob. In the hand, the brass and glass feel dense,
although once mounted, you can barely tell you have a lens on the camera.
I’m a die-hard 35 guy. A
35 Lux or Cron lives on my M. But since the Q came out, I’ve found myself
shooting more and more with 28. So, I grabbed the 28mm Summaron and headed to
Little Havana for a day of shooting. A lens like this doesn’t warrant
scientific testing or pixel peeping. After all, it was originally designed in
the mid 1950s. It isn’t going to match up to lenses like the 28mm Summilux-M
ASPH, but that’s not why you get a lens like this. On the other hand, the
Summaron isn’t just for decoration either. The lens actually is a solid
performer, worthy of the Leica name.
So, rather than a strictly
defined “test”, I was more interested in the resulting look of the images and
how it felt to use for my normal street shooting. On both fronts, I wasn’t
disappointed.
Check out the video below
for the full scoop and tons of sample images. As always, for best quality be
sure to maximize the video and select 4K for viewing resolution.
Click here for the video
Be sure to subscribe to
our Red Dot Forum YouTube channel for more videos like this.
Luis Mora
Luis has been a Leica
photographer for more than a decade, and is a little more than obsessed with
analog photography and vintage cameras. He's especially fond of his M6 and 40mm
Summicron-C.
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