By José Manuel Serrano
Esparza
The 16 megapixel Leica T,
one of the most beautiful photographic cameras ever made, designed by Maike
Harberts (Product Manager of APS-C Cameras at Leica Camera AG) in 2014, was
granted important Awards for Best Design During 2015, among them the prestigious
IF Gold Award in the Product Category and the TIPA (Technical Image Press
Association) 2015 Award for Best Design.
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To all intents and
purposes, these prestigious awards meant a very significant international
recognition to the Leica T, an APS-C camera featuring huge personality,
exceedingly reduced size and weight, minimalist shapes, smooth and rounded
surfaces, great beauty of lines and a state-of-the-art constructive level,
since it was manufactured from a block of aluminium which was milled by the
most advanced precision CNC machines currently existing in this scope and very
sophisticated techniques, it all providing this photographic tool with a great
solidity, unutterable feeling while being held in hands, remarkable sturdiness
keeping an almost flawless appearance after years of intensive use and a truly
imposing presence.
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The back of the Leica T is
dominated by a 3.7-inch fixed TFT LCD touchscreen with 1.3 million-dot
resolution working as a smartphone and displaying an icon-based control menu
system incredibly easy to learn and customize.
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Minimalism to spare at the
service of the decision making by the photographer, in a camera that lacked
integrated viewfinder, very advanced electronics, lightning autofocus speed and
image stabilizing systems boasted by different models of cameras from other
brands of the APS-C domain (nowadays the most disputed one in the photographic
market) clearly superior in those sides.
But it wasn´t a hindrance
at all for the Leica T to be able to create great images (as a matter of fact,
a very high percentage of the most iconic pictures in history were made with
simple cameras regarding their electronic specifications but excellent in
optomechanical quality), and it can be an exceptional photographic tool in the
hands of a professional photographer or advanced amateur, firmly backed by its
impressive constructive quality, sturdiness and working reliability, in
symbiosis with Leica TL lenses sporting a very accurate and more than
sufficiently fast AF along with superb optical quality, with the added chance
of using the comprehensive range of ultraluminous Leica M lenses for 24 x 36 mm
format through the special M-Adapter T, which utterly supports functions like
exposure metering, aperture priority mode and manual settings.
Here we can see the Leica
T coupled to a 9 elements ( two of them aspherical ones ) in 6 groups Summicron-TL 23 mm f/2 ASPH, with
difference the best equivalent to 35 mm lens in the world for APS-C format,
delivering exceptional values of resolving power and contrast, together with an
excellent bokeh and whose MTF curves place it between the Summilux-M 50 mm
f/1.4 ASPH and the Apo-Summicron-M 50 mm f/2 ASPH in terms of optical
performance.
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The M-Adapter T greatly
expands the operative possibilities of the Leica T and enables to get a
stunning image quality connecting the wide assortment of highly luminous Leica
M lenses featuring an amazing degree of miniaturization for its full frame
format, with very small size and weight and an exceedingly reduced front lens
diameter, in such a way that they thoroughly synergize with the uncommon
compacity of the Leica T, keeping the proportions and preserving its
exceedingly reduced dimensions.
Here we can see a Leica T
camera with a Summicron-M 35 mm f/2 ASPH, equivalent to a 52.5 mm f/2 ASPH lens
(almost identical to the focal length of 52.3 mm featured by Summicron-M 50 mm
f/2) and whose optical performance in association with the 16 megapixel Sony
CMOS sensor is excellent as a traditional standard lens.
The beauty of this
binomium is difficult to explain with words.
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A professional
photographer using a Leica T attached to a Noctilux-M 50 mm f/0.95 ASPH,
equivalent to a 75 mm f/0.95 ASPH, which both as a portrait lens and as a
spawner of pictures with available light shooting handheld, even under the most
extreme luminic conditions, has no match in the APS-C scope.
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Close-up of the high
resolution electronic viewfinder attachable to the Leica T sliding it into the
hotshoe. In spite of not being metallic, it is made in high quality plastic and
is very light, with a conspicuous and very practical futuristic profile
enabling to get pictures with the camera at eyes height instead of looking
through the large back screen, and enhancing its fully professional use, with
the added advantage that its swiveling design makes possible to shoot with the
VF oriented upwards and the camera located at the height of the chest, in those
situations needing maximum discretion.
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Leica T in professional
configuration with Summicron-TL 23 mm f/2 ASPH coupled to its excellent shade
and with the Visoflex EVF inserted in the hotshoe.
The design of the Leica T
(Typ 701), fruit of the collaboration between Leica Camera AG and Audi, was
undoubtedly from the viewpoint of elegance and contours allurement one of the
highlights of the worldwide photographic industry in 2014, and painstaking attention was paid
in it to every detail, with a stunning finish and polishing of the aluminium
which has been the benchmark hitherto and increased very much the production
cost of the camera body.
It is therefore a product
built on the keynote of an uncompromising quality, only reachable by means of
abundant mostly handcrafted manufacturing stages in combination with
state-of-the-art machines and technologies within this field, not entering
megapixels wars or the adoption of electronic advances that albeit being
relevant and useful, are not indispensable for the creation of good pictures.
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A professional
photographer shooting handheld indoors without flash with a Leica T coupled to
a Noctilux-M 50 mm f/0.95 ASPH (equivalent to a 75 mm f/0.95ASPH) through the
Leica M-Adapter T.
The photographic
possibilities of this pretty compact combination ( in spite of the weight of
700 g and dimensions of 7, 3 x 7, 51 mm featured by the Noctilux lens ) when it
comes to creating images with available light and getting a great level of
detail and contrast in them, even in contexts of extremely low luminosity, are
commendable.
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But the historical and
conceptual significance of the Leica T went even far beyond, because it was
fruit of a brilliant initiative by
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Dr. Andreas Kaufmann,
Chairman of the Supervisory Board of Leica Camera AG and main entrepreneurial
driving force in the genesis of this gorgeous camera, as a homage to the
Ur-Leica (created by the genius Oskar Barnack in 1914 and the first camera
using the 24 x 36 mm format)
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on the occasion of the 100
Years of Leica Photography event celebrated in Wetzlar in May 2014.
This way, the similarity
of shapes and lines of the Leica T is more than remarkable regarding Oskar
Barnack´s Ur-Leica, with the exception of the grabbing zone of the Leica T
forward right area, which
features a protrusion to do it more ergonomic.
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However incredible it may
seem, the digital Leica T from XXI Century included abundant DNA from the
Ur-Leica made by Oskar Barnack in 1914, a revolutionary photographic camera
whose fundamental cornerstone of very small size and exceedingly low weight
body in association with a tiny lens delivering very high optical quality and
great images would enable the photographers (since the launching into market of
the Leica I by Ernst Leitz II during the 1925 Leipzig Spring Fair) to make a
much more agile and dynamic kind of reportage photography, shooting hand and
wrist in every environment and exposing small negatives of the then called 24 x
36 mm " miniature format ".
But the huge influence of
the Ur-Leica from 1914 throughout the XX and XXI centuries hasn´t only been on
photography, but also on design and concepts belonging to the realm of
technology, architecture, art, and many other fields.
Not in vain, when Steve
Jobs presented the iPhone 4, he said:
" You gotta see this
in person. This is beyond the doubt, the most precise thing, and one of the
most beautiful we´ve ever made. Glass on the front and back, and steel around
the sides. It´s like a beautiful old Leica camera ".
Steve Jobs referred to the
screwmount Leica cameras manufactured between mid twenties and 1960, all of
which had got a common forefather: the Ur Leica.
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The Leica T design
features an uncommon exquisiteness.
In this image of its upper
right panel you can see from left to right: the stereo microphones, the
built-in flash hidden inside the camera body, the shutter release button, the
on/off switch concentric with the shutter release button and which has got a
third position to activate the aforementioned flash, the small button for
recording Full HD 1920 x 1080 video at 30 fps and the two control wheels that
enable to select the desired f stop and speed in manual mode, with the further
possibility of customization of the left wheel to modify the most used options
and settings such as ISO, exposure compensation, white balance, focus mode,
self-timer and flash mode.
The integration of flash,
grooved control wheels and button for video recording inside the camera body
boasts an indescribable precision, with a praiseworthy mechanizing of the
command dials and shutter release button, enhanced by the finish and level of
perfection of the aluminium which are truly extraordinary.
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Sean Cranor, CEO of Camera
West and one of the most experienced dealers of top-notch quality photographic
products from different brands in the world.
From the very moment of
its presentation, he grasped the remarkable historical significance, unmatched
level of craftsmanship, excellent optomechanical quality of lenses,
far-reaching design and exceptional timeless beauty of the Leica T, a camera he
strove after making it known through different seminars and events, among them the
Leica T Party held at the Leica Boutique in Rancho Mirage (Riverside County,
California) along with other training courses at his Camera West shop located
in Walnut Creek (East Bay area, near San Francisco), which paid off.
Here we can see him
holding a Leica T with Vario-Elmar-T 18-56 mm f/3.5-5.6 ASPH zoom (equivalent
to a 27-84 mm f/3.5-5.6 ASPH) and the nice silicone strap stretched.
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Sean Cranor holding the
smart proprietary locking pin connecting the strap to the Leica T through a
click into the camera.
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If we add to all of it
that the Leica T, one of the photographic tools better substantiating the Das
Wesenliche (Focus on Optical Perfection, Intuitive Handling and Great Design
as essential ingredients) principle, was the first digital camera of the German
photographic firm featuring the breakthrough highly versatile and efficient
large size bayonet L Mount as mainstay of the Leica APS-C System, with an inner
diameter of 51.6 mm and an exceedingly short flange distance of only 20 mm,
subsequently used among others by the 24 x 36 mm format Leica SL mirrorless EVF
camera, the APS-C format mirrorless EVF Leica CL with integrated viewfinder,
the 24 x 36 mm format mirrorless EVF Panasonic Lumix S1 and Panasonic Lumix S1R
cameras, in spite of its lack of a built-in EVF, the absence of any image
stabilization system and the raft of further electronic advances present in umpteen
digital mirrorless APS-C format cameras made by other firms, the huge
historical significance of the Leica T camera as a pioneering technological
platform and groundwork test bench for the spreading of the L-Mount and the
alliance between Leica, Panasonic and Sigma born during the Photokina 2018 in
Köln (Germany) seems apparent.
For other articles on this blog please click on Blog Archive in the column to the right
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I’m so glad I bought the Leica T as my very first foray into Leica cameras. I wouldn’t hv got the SL, M, Vlux and Sofort if not for my wonderful experience with the little Leica T.
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