By Kirsten Vignes, Leica
Store Miami
Last spring, my colleagues
and I at Leica Store Miami published an article called What’s in Our CameraBags, where we individually laid out our gear bags and showed you how and what
we shoot. Since then, a lot has changed. We’ve hired new staff, new cameras and
lenses have been released, and individual shooting styles have evolved.
We’ve also realized that
we each have more than one gear setup. You wouldn’t bring the same camera on a
bare-bones hiking trip as you would on a fashion shoot. You’re unlikely to
shoot wildlife with the Leica M, and you probably wouldn’t grab a Leica S for
discreet street shooting. This is the photographer’s dilemma: there just simply
isn’t one camera that does it all. Different cameras and lenses serve different
purposes.
So, here we are a year
later, sharing with you yet again “what’s in our bag.”
Scroll through or click
the quick links below:
- Kirsten’s Rangefinder Bag
- David’s Workshop Case
- Peter’s Workshop Bag
- Ashlyn’s Fashion Bag
- Josh’s Car Photos Bag
- Victor’s Professional GigCase
- Julie’s Dancing Bag
- Kirsten’s Birding Bag
- David’s Climbing Setup
Kirsten’s Rangefinder Bag
Kirsten Vignes has been a
Leica Specialist with Leica Store Miami since 2012. She’s originally from
Minnesota, but much prefers the sunshine and warmth of South Florida. Kirsten
loves photography, which she studied at Rochester Institute of Technology, graphic
design, traveling the world, movies with mythical creatures, chasing
non-mythical creatures (birds) and, of course, coffee. Read some of Kirsten’s
articles here.
When we decided to
re-visit the “In Our Bag” idea again, I immediately knew what I was going to
share this time around: the gear I actually own (or some of it anyways). As a
Leica Store Miami employee, I have access to the entire range of Leica
equipment, and I can honestly say I use a wide spectrum of Leica gear. I use
the CL with 35mm Summilux-TL to do environmental product photos for our
Instagram page, the V-Lux (Typ 114) for birding, the Leica SL (Typ 601) with M lenses for the occasional wedding, the beloved Q and M cameras for street and
travel, the Leica D-Lux 7 for an evening out with friends, and the Leica S for
those once-in-a-lifetime landscapes.
But what do I actually
own? I’m glad you asked.
CAMERA – LEICA M9 &
M4-P RANGEFINDERS
The first Leica I bought
was the iconic M9, the original full-frame digital rangefinder. It was 2013,
the M (Typ 240) had been released, and we were in the process of selling off
all of our old M9 demo cameras at Leica Store Miami. When I was given the
instruction to box up the last M9 to be listed and sold, I just couldn’t do it.
The M9 and I had been through quite a bit. It had documented my first year
living in Miami: the neon lights, the turquoise waters and the new friends I
had made. It had traveled with me to Argentina and kept me company as I sipped
wine in Mendoza, went horseback riding with gauchos, and took in the breathless
beauty of Iguazú Falls. Call it an impulse buy, but I had to have it.
And, I still shoot with it
today. I know, I know. It’s a ten-year-old camera with ten-year-old technology,
terrible ISO performance (by today’s standards anyhow), and a laggy user
interface. But, there’s just something about those M9 colors and the clunky yet
endearing sound of its shutter. I’ve been tempted to trade-in towards the
current M10 (especially with current used prices), which to Leica’s credit, has
a comparable color output and feel as the M9. At the end of the day though, I
just can’t part with my M9. I’ll be honest, it spends a lot of time in a drawer
these days, but I do reach for it for those times when I want to take things
slow. It’s reminiscent of shooting film. Its limitations force you to slow down
and really think about and appreciate a scene before firing the shutter.
This brings me to my most
recently-acquired Leica: an M4-P analog rangefinder. Over the years, I’ve toyed
with the idea of buying a film M. After all, it is the ultimate M experience –
the most “das Wesentliche” of all the M’s. For someone who’s just starting to
dabble in the film world, the M4-P is an affordable and functional option. The
Canadian-made rangefinder comes in at half the price of a used M6, and, unlike
a used M3, doesn’t require cumbersome goggles when shooting a lens wider than
50mm.
Both used digital and
analog M cameras are a great way to get in the Leica M system. A lot of people
starting out are intimidated by Leica’s price tag, but with a little research
and patience, you can get into the M system for a reasonable price.
LENSES – 50MM SUMMICRON
F/2, V4 & 28MM SUMMILUX-M ASPH F/1.4
I’ve always been a 50mm
shooter. I like being able to isolate pieces of a scene and create a very
graphic and intentional image. When I set out to buy a used 50mm, I came across
the 50mm Summicron-M f/2 Version 4. The V4 50mm Summicron-M is optically
identical to the current V5 standard Summicron-M, but has a different barrel
construction. Like my M4-P, the V4 Summicron was built in Canada. Because
Canadian-made Leica’s are less desirable in the used market, it’s easy to pick
one up at a significantly lower price than their German-made counterparts. For
someone looking to get into a used M and not break the bank, look into
Canadian-made glass.
I’ve always complemented
my 50mm with my Leica Q (Typ 116)’s 28mm Summilux-M. These days, I’ve been
trying to focus more on rangefinder photography, so the Q gets left at home
more often than it’s used to. For those who want to shoot with a rangefinder
and aren’t interested in the autofocus Q, Leica offers four different 28mm
M-mount lenses: the Summaron-M f/5.6, the Elmarit-M f/2.8, the Summicron-Mf/2.0, and the Summilux-M f/1.4, which is pictured here on my M4. (This I
borrowed from the store and is more of a wish list item. My collection of M
lenses is a work-in-progress.) In digital, we’re spoiled with incredibly high,
clean ISO’s. If a lens only opens up to f/2.8, no problem, just boost the ISO.
With film – and the M9 for that matter, a fast aperture such as a f/1.4
Summilux is more critical, especially in low light situations. On top of that,
the 28mm Summilux-M is the most recently-designed 28mm M lens. Of the entire
28mm M lineup, it delivers the most corner-to-corner sharpness.
BAG – OBERWERTH HARRY
& SALLY (BLACK/RED)
The photographer’s other
dilemma: there is no perfect camera bag. Different shooting occasions call for
different bags. My bread n’ butter bag is the Oberwerth Kate (You can see my
video review on the Kate here.), however, when I’m just kicking around town and
have a smaller setup, I carry the Oberwerth Harry & Sally. The Harry &
Sally is part of Oberwerth’s casual line and is made of the same soft, tumbled
leather as my Kate. It fits a small two-body rangefinder setup perfectly.
Another clever feature of
Oberwerth bags is the built-in SD card pockets. I can usually double stack them
and fit four extra cards at a time. This eliminates the need to carry a
separate SD card wallet.
CARRYING STRAPS
I like a soft, thin strap
that I can wrap around my wrist to double as a wrist strap. A smaller, softer
strap also packs easier and takes up less space in my bag. Pictured here on the
M9 is the Arte di Mano Comodo Neck Strap in Rally Volpe, and on the M4 is the
Arte di Mano Waxed Cotton Neck Strap in Barenia Tan.
FILTERS
When shooting black and
white film or the Leica M Monochrom, filters are essential. In a digital color
file, you can easily adjust the color channels to achieve a desired look. With
film or a Monochrom file, you have to use a physical filter over your lens. I
always keep a Leica Orange filter on hand to darken skies and brighten skin
tones, as well as a Leica 4-Stop ND filter to be able to shoot wide open in
daylight.
EXTRAS
I always carry a notebook
and pen when shooting analog. Unfortunately, film doesn’t record metadata, so I
try to make a point to jot down my exposure settings while shooting.
A huge travel game-changer
for me has been the discovery of short power cables and plug adapters. I leave
the exaggeratedly-long power cables that come standard with most cameras and
chargers at home, and swap them out for 1-foot power cables. When I travel to
Europe, I use a European plug adapter, eliminating the need for a separate
adapter.
The tripod and blower ball
pictured here don’t fit inside the Harry & Sally along with the other
stuff, but I wanted to show them because they are part of my setup. The Giottosblower ball is a must with an interchangeable lens system. Never be caught off guard
without a way to clean your sensor.
My Sirui T-025SK CarbonFiber Tripod is always on hand. If I’m traveling, it’s in my suitcase. If I’m
driving around town, it’s in the back seat. I might not always have it on my
physical person, but it’s never far away. It folds up to just 12 inches, weighs
less than a pound and has traveled all around the world with me.
For other articles on this blog please click on Blog Archive in the column to the right
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