Another interesting fact,
as far as I know, is that China is the only country that also copied much later
models of Leica cameras, namely the Leica M3, which was called "Red
Flag." It is also interesting to note that the M3 copy has a body shape
reminiscent of the Leica M5. This was
probably done to offset the camera somewhat from its German original. The position of the shutter release and
shutter speed dial is definitely derived from the earlier Leica M cameras. This camera was made in Shanghai in about
1971-76. It has the Leica M lens-mount, and three lenses were made for it. The
standard lens is a 50 mm f/1.4 Red Flag 20, a copy of the Summilux; the other
lenses are a 35 mm f/1.4 Summilux copy, and a copy of the 90 mm f/2 Summicron.
Unlike the Leica M3, this camera had viewfinder frames for these three lenses.
Monday, March 22, 2021
CHINESE LEICAS
By Heinz Richter
It is common knowledge that the Leica has been copied more often than any other camera and many of these copies are relatively well known. Some of the rather rare and little known copies are the ones made in China.
Between 1958 and 1963 the Chinese state owned the ‘Shanghai Camera Company’. They started out by producing copies of the Leica III/IIIa rangefinder camera, called the Shanghai 58. In 1964 the Shanghai Camera Company changed its name to the Seagull company and made cameras for the mass market.
A much more rare copy is what appears to be a follow up model, the little known Shanghai 582.
The camera was made for less than two years, from 1958 to 1959, at the beginning of the Cultural Revolution when the Chinese government decided to do everything better than the Russians, the Americans and the Germans. The seven digit serial number was quite misleading since very few of the cameras were made, most of them for government use.
The pictures of the camera were obtained from a member of the Leica Historical Society of America (LHSA) who had the good fortune to see and inspect the camera and to photograph it on a trip to China.
According to him, it really wasn’t a bad copy. It showed an extraordinary amount of hand work. The f/3.5 collapsible lens was of acceptable quality, and the cloth focal plane shutter still worked smoothly and was reasonably accurate, even years later.
Interesting, to say the least. But I think I will stick with my Wetzlar made Leica equipment.
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