Many photographic topics
are quite difficult to do if one tries to find a different approach, something
that has not been done by other photographers before. That is especially the case with fine art
nude photography. The nude has always
been a very popular theme of the arts, including photography. Regardless of how one approaches the subject,
it probably has been done in one form or another before.
I had been looking for
such a different approach for a long time, and finally decided to use Photoshop
to reach that goal. The result is
“Photosculptures,” where I use photographs of sculptures and combine them with
photographs I have taken of models.
That might not appear to
be particularly difficult. After all,
Photoshop is used to alter images in just about any imaginary way. However, Photosculptures require a lot more
than just replacing part of the sculpture with a photograph of a different
person. It is important that the pose of
the model and the lighting coincide with that of the sculpture, however, it is
not my intention to produce a perfect copy of the original. Then the two images have to be carefully
matched in size. Finally, the
transferred image has to be modified to match the color and texture of the
sculpture. All of this is not an easy process,
and it is very time consuming. But the
end results can be quite rewarding.
This is the most difficult
sculpture I modified,
because it consists of
three different individuals.
The original, raw images
of the three models, all taken with Leica equipment.
The original photograph of
the three models required considerable modifications. All had to be right and left reversed. Then all three had to be matched in size to
the size of the sculpture. In addition,
the posing angle of the models was altered to match that of the sculpture.
Then, after masking off the background, the images of each model were
transferred to the photograph of the sculpture.
Then each model was altered to match the white marble of the
sculpture. That included lowering the
contrast of the facial features and the hair to again match the sculpture.
The finished
Photosculpture
Original
Photosculpture
The original is a
photograph of the Rolls Royce hood ornament.
Since the pose of the model was not identical to that of the sculpture,
it required considerable modification of the hair flowing in the wind.
Original
Photoscupture
Original
Photosculpture
The two examples above
required little modification since the poses of the models was close to that of
the sculpture.
Original
Photosculpture
This example required a
considerable amount of work. While the
poses are quite similar, the arms did not look right at all. It required to remove the hand on the arm of
the male which, in turn, required the arm of the male in the Photosculpture to
be lengthened. In addition, marble
texture and color was added to the Photosculpture.
Original
Photosculpture
Even though the pose of
the original and the model are quite similar, this example required a
considerable amount of detail work. The
upper arm of the model had to be lengthened to match up with that of the
original sculpture. The wing of the swan
had to be lengthened a lot to bridge the void that otherwise showed in front of
the model’s face. In addition the head
of the swan needed to be moved further from the neck. Since the position of the left arm of the
sculpture and the model are quite different, a fair amount of reconstructive
work was necessary to cover the arm of the original sculpture.
Original
Photosculpture
This example was
relatively easy to convert. However, the
strong lighting of the original required close attention to the lighting of the
model.
Original
Photosculpture
Original
Photosculpture
Original
Photosculpture
Original
Pbhotosculpture
Original
Photoscupture
Accurate posing of the
model definitely makes this kind of work considerably easier. For that reason it is advisable to work with
experienced models that are able to strike a great variety of poses and do it
accurately once they see a sample of what pose is required. I have worked with most of the models shown
here on several occasions, with some of them even for several years. That has created a very good working
relationship which is also very helpful for this kind of work.
I would greatly appreciate
any comments and critiques of this work.
Thank you,
Heinz Richter
________________________________________________________________________________________
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This is a very interesting concept, bit it appears that a lot of photoshop work is required.
ReplyDeleteThat is correct. However, as I pointed out in the article, it was Photoshop that enabled me to come up with this different approach. This would be extremely difficult at best to do with conventional, non-Photoshop methods.
DeletePete Turner wrote:
ReplyDeleteThe birth of another photo/art genre.